Love stories; North Carolina -- Fiction; Women singers -- Fiction
Of Francis Ravenel at this time much could be written. In the first
months of his separation from Katrine, during all of the period of his
mother's illness, he remained firm in the intention expressed in the
unsent letter to visit her in Paris, ask her forgiveness, and make her a
formal offer of marriage. But quick on the heels of his return to New
York had followed the railroad business, to which Dermott McDermott's
insolence had added new reason for making the enterprise a successful
one.
But underneath the several postponements of visiting Katrine, the real
cause of them all, in fact, was a fear of the well-merited rebuff which
he might receive from her. He understood her pride well; and although he
believed that she had not ceased to love him, he doubted if he held her
respect, and many times, when instinct bade him go to her, he had
recalled the pleading tones of her voice in that last interview, when
she had cried: "We may never meet again! Ah, please God, we may never
meet again!"
Katrine's letters, which came to him with perfect regularity, kept him
closely in touch with her daily life in Paris. He looked anxiously in
them for any variation in her sentiments toward himself, but found none.
Reading one night in Firdousi, he discovered a passage which described
Katrine so perfectly to him that he put a marker between the pages of
the book, and kept it by his bedside to read at night as a pious person
might have kept the confession of his faith.
"She was an elemental force," wrote the old poet, "and astonished
me by her amount of life, when I saw her day after day radiating
every instant redundant joy and grace on all around her. Though the
bias of her nature was not to thought but to sympathy, yet was she
so perfect in her own nature as to meet intellectual persons by the
fulness of her heart, warming them by her sentiments, believing, as
she did, that by dealing nobly with all, all would show themselves
noble."
And there were sometimes bits of her letters which drove him wild with
regret for what he had done.
"Is personal happiness, after all," she wrote once, "a very
important thing? Nothing can ever make me suffer again as I have
suffered, for I have learned to use a man's solace: work; work in
which I can go far away from myself and be as impersonal as a
problem in geometry. But I ask myself, Is that what was intended?
Sometimes I seem to touch the edge of the knowledge that it is
(perhaps) greater to be a sad, little, suffering, incompetent
mother, than to be the person which trouble and music have made of
me."
Public-domain text, read in full here on John Shaqi.
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