Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
On the night when Keats wrote these words (Sept. 28) Brown was staying
with the Dilkes at Chichester, so that the two friends had thus narrowly
missed seeing each other once more. The ship putting to sea again, still
with adverse winds, there came next to Keats that day of momentary calm
and lightening of the spirit of which Severn has left us the record, and
the poet himself a testimony in the last and one of the most beautiful of
his sonnets. They landed on the Dorsetshire coast, apparently near
Lulworth, and spent a day exploring its rocks and caves, the beauties of
which Keats showed and interpreted with the delighted insight of one
initiated from birth into the secrets of nature. On board ship the same
night he wrote the sonnet which every reader of English knows so well;
placing it, by a pathetic choice or chance, opposite the heading a
_Lover's Complaint_, on a blank leaf of the folio copy of Shakespeare's
poems which had been given him by Reynolds, and which in marks, notes, and
under-scorings bears so many other interesting traces of his thought and
feeling:--
"Bright star, would I were stedfast as thou art,
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of cold ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death."
These were Keats's last verses. With the single exception of the sonnet
beginning 'The day is gone, and all its sweets are gone,' composed
probably immediately after his return from Winchester, they are the only
love-verses in which his passion is attuned to tranquillity; and surely no
death-song of lover or poet came ever in a strain of more unfevered beauty
and tenderness, or with images of such a refreshing and solemn purity.
Public-domain text, read in full here on John Shaqi.
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