Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
Returning to Hampstead, Keats spent the first part of the winter in
comparative rest from literary work. His chief occupation was in revising
and seeing _Endymion_ through the press, with much help from the
publisher, Mr Taylor; varied by occasional essays in dramatic criticism,
and as the spring began, by the composition of a number of minor
incidental poems. In December he lost the companionship of his brothers,
who went to winter in Devonshire for the sake of Tom's health. But in
other company he was at this time mixing freely. The convivial gatherings
of the young men of his own circle were frequent, the fun high, the
discussions on art and literature boisterous, and varied with a moderate,
evidently never a very serious, amount of card-playing, drinking, and
dissipation. From these gatherings Keats was indispensable, and more than
welcome in the sedater literary circle of his publishers, Messrs Taylor
and Hessey, men as strict in conduct and opinion as they were
good-hearted. His social relations began, indeed, in the course of this
winter to extend themselves more than he much cared about, or thought
consistent with proper industry. We find him dining with Horace Smith in
company with some fashionable wits, concerning whom he reflects:--"They
only served to convince me how superior humour is to wit, in respect to
enjoyment. These men say things which make one start, without making one
feel; they are all alike; their manners are alike; they all know
fashionables; they have all a mannerism in their very eating and drinking,
in their mere handling a decanter. They talked of Kean and his low
company. 'Would I were with that company instead of yours', said I to
myself." Men of ardent and deep natures, whether absorbed in the realities
of experience, or in the ideals of art and imagination, are apt to be
affected in this way by the conventional social sparkle which is only
struck from and only illuminates the surface. Hear, on the other hand,
with what pleasure and insight, what sympathy of genius for genius, Keats
writes after seeing the great tragedian last mentioned interpret the inner
and true passions of the soul:--
Public-domain text, read in full here on John Shaqi.
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