Kenelm Chillingly — CompleteLytton, Edward Bulwer Lytton, Baron
General
Kenelm Chillingly — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
All around in the thoroughfare was silent and deserted. By this time
the passengers had gone home. The scent of night-flowers from the
villa-gardens came sweet on the starlit air. Kenelm paused to inhale it,
and then lifting his eyes, hitherto downcast, as are the eyes of men
in meditative moods, he beheld, on the balcony of the nearest villa,
a group of well-dressed persons. The balcony was unusually wide and
spacious. On it was a small round table, on which were placed wine and
fruits. Three ladies were seated round the table on wire-work chairs,
and on the side nearest to Kenelm, one man. In that man, now slightly
turning his profile, as if to look towards the river, Kenelm recognized
the minstrel. He was still in his picturesque knickerbocker dress,
and his clear-cut features, with the clustering curls of hair, and
Rubens-like hue and shape of beard, had more than their usual beauty,
softened in the light of skies, to which the moon, just risen, added
deeper and fuller radiance. The ladies were in evening dress, but Kenelm
could not distinguish their faces hidden behind the minstrel. He moved
softly across the street, and took his stand behind a buttress in
the low wall of the garden, from which he could have full view of the
balcony, unseen himself. In this watch he had no other object than
that of a vague pleasure. The whole grouping had in it a kind of scenic
romance, and he stopped as one stops before a picture.
He then saw that of the three ladies one was old; another was a
slight girl of the age of twelve or thirteen; the third appeared to be
somewhere about seven or eight and twenty. She was dressed with more
elegance than the others. On her neck, only partially veiled by a thin
scarf, there was the glitter of jewels; and, as she now turned her
full face towards the moon, Kenelm saw that she was very handsome,--a
striking kind of beauty, calculated to fascinate a poet or an
artist,--not unlike Raphael’s Fornarina, dark, with warm tints.
Now there appeared at the open window a stout, burly, middle-aged
gentleman, looking every inch of him a family man, a moneyed man, sleek
and prosperous. He was bald, fresh-coloured, and with light whiskers.
“Holloa,” he said, in an accent very slightly foreign, and with a loud
clear voice, which Kenelm heard distinctly, “is it not time for you to
come in?”
“Don’t be so tiresome, Fritz,” said the handsome lady, half petulantly,
half playfully, in the way ladies address the tiresome spouses they lord
it over. “Your friend has been sulking the whole evening, and is only
just beginning to be pleasant as the moon rises.”
“The moon has a good effect on poets and other mad folks, I dare say,”
said the bald man, with a good-humoured laugh. “But I can’t have my
little niece laid up again just as she is on the mend: Annie, come in.”
The girl obeyed reluctantly. The old lady rose too.
Public-domain text, read in full here on John Shaqi.
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