Society in the concrete has become wonderfully conceited as to its own progressive excellences, and the individuals who form the concrete entertain the same complacent opinion of themselves. There are, of course, even in my brief and imperfect experience, many exceptions to what appear to me the prevalent characteristics of the rising generation in “society.” Of these exceptions I must content myself with naming the most remarkable. _Place aux dames_, the first I name is Cecilia Travers. She and her father are now in town, and I meet them frequently. I can conceive no civilized era in the world which a woman like Cecilia Travers would not grace and adorn, because she is essentially the type of woman as man likes to imagine woman; namely, on the fairest side of the womanly character. And I say “woman” rather than “girl,” because among “Girls of the Period” Cecilia Travers cannot be classed. You might call her damsel, virgin, maiden, but you could no more call her girl than you could call a well-born French demoiselle _fille_. She is handsome enough to please the eye of any man, however fastidious, but not that kind of beauty which dazzles all men too much to fascinate one man; for--speaking, thank Heaven, from mere theory--I apprehend that the love for woman has in it a strong sense of property; that one requires to individualize one’s possession as being wholly one’s own, and not a possession which all the public are invited to admire. I can readily understand how a rich man, who has what is called a show place, in which the splendid rooms and the stately gardens are open to all inspectors, so that he has no privacy in his own demesnes, runs away to a pretty cottage which he has all to himself, and of which he can say, “_This_ is home; _this_ is all mine.” But there are some kinds of beauty which are eminently show places,--which the public think they have as much a right to admire as the owner has; and the show place itself would be dull and perhaps fall out of repair, if the public could be excluded from the sight of it.