Kenneth McAlpine: A Tale of Mountain, Moorland and SeaStables, Gordon
General
Kenneth McAlpine: A Tale of Mountain, Moorland and Sea
Stables, Gordon
Fiction
They must not leave their hiding-place yet though, for Logobo canoes are
still on the river. They must wait and listen for hours to come. But
they keep closer together now and grasp their arms sturdily, for lions
have awakened and begun to yawn; there are terrible yells and shrieks,
and coughing and groaning to be heard on every side, and many a plash
alongside in the dark water. Sometimes a huge bat drives right against
them, poisoning the air with pestiferous odour. Sometimes they see
starry eyeballs glaring at them from under the plantain bushes, and hear
the branches creak and crack, and the sound of stealthy footsteps near
them. It is an eeriesome place this to spend even half-an-hour in after
nightfall, but their only chance of safety lies in remaining perfectly
still, perfectly mute. At long last light shimmers in through the leafy
canopy above them, they know the moon has arisen, and it is time to be
going.
Once more they are embarked, and once more stealing silently up the
unknown river.
As the night advances, they are less cautious and talk more freely.
Earlier in the evening they had heard the beating of the warlike tom-tom
and the shouts of savage sentries, but now these are hushed and the
beasts and birds of the night alone are left to rend the ear with their
wild cries.
Hiding by day, and journeying silently onward and upward by night, our
heroes are in less than a week far past the country of the dreaded
Logobo men. Not that their dangers are over by any means, nor their
trials. There are dangers from beasts, from lion or leopard, and from
hideous reptiles, far more ugly than a nightmare, and these they must
often face, for the rapids in the river have now become numerous, and
they have to land and carry their light boat past them. But, on the
whole, they were so happy now and light-hearted that they often laughed
and joked and sang; and why not? Were they not marching on to fortune?
They believed so, at all events.
In the long dark evenings, round the camp fire, they would lie on their
blankets with their feet to the fire, and their guns not far off, you
may be well sure, and sing songs and tell stories of their far-away
native land. The flute, too, was put on duty, much to the delight of
little Essequibo, the nigger boy. Essequibo, or Keebo as he was called
for short, was at first inclined to be afraid of the flute; in fact,
when first he heard it, he turned three somersaults backwards and
disappeared in the jungle. He did not appear again for half-an-hour;
then he came out, and gradually and slowly and wonderingly advanced to
where Kenneth sat playing.
Keebo's eyes were as big as half-crown pieces, now, and he walked on
tip-toe, ready to bolt again at a moment's notice.
"Massa Kennie," he said plaintively, "Massa Kennie, what you raise
inside dis poor chile wid dat tube you blows into? You raisee de good
spirit or de ebil one? Tell me dat."
"The good spirit, Keebo," replied Kenneth; "listen."
Public-domain text, read in full here on John Shaqi.
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