Artists -- Fiction; Fathers and sons -- Fiction; Triangles (Interpersonal relations) -- Fiction
"Good-bye, Hannah dear!" she called, her eyes wet and wistful.
"Good-bye, Hetty! And--and don't forget to write me _all_ the news!
And don't let Toby catch the birds!"
Hughie, blinking and upset, stared straight ahead at Nellie's ears.
Kenny sobered. How great his trust! Hannah, waving her apron back
there and wiping her eyes, trusted him. And so did Hughie and Joan and
even perhaps old Adam Craig; and Mr. Abbott whose gentle grilling he
had endured with merely surface patience.
"Don't cry, Joan, please!" he begged, understanding how dear familiar
things are apt to loom in the pain of separation. And then with her
hand to his lips, he pledged himself to make her happiness the religion
of his love. It was a pledge he was destined to keep inviolate.
Ordinarily to Kenny, impatient in intervals of discomfort and delay,
the trip with its rural junctions and branch roads would have been
interminable torture. But to-day, with Joan's eyes, wide, dark,
intent, he chose to marvel with her.
They lunched at noon between trains in a little country inn. At seven,
having come after much fragmentary travel into a comforting world of
express trains and Pullmans, they dined in the train itself. Joan
watched the flying landscape, dotted with snow and vanishing lights,
smiled with the shining wonder of it all in her eyes, and could not
eat. Kenny tried scolding and found her sorry, but she could not eat.
By eleven, when the train thundered into the terminal at Thirty-third
Street, New York was wrapped in a scudding whirl of white dotted
dizzily with lights. Already to Kenny, buoyant, excited and inclined
to stride around in purposeless circles, the lonely farm was very far
away. He was back again in his own world with the roar of the city in
his ears--and Joan beside him. Ah! there he knew was the reason for
his gladness. Joan was beside him.
The taxi he commandeered threaded its way south through a maze of
lights, hurrying crowds and noisy, weaving traffic to a tenement in
Greenwich Village. Joan, searching for the unknown sparkle of that
Bohemian world she had been unable to envisage, stared at the
unromantic basement doors ahead and clung to Kenny's hand.
"It's quite all right, mavourneen," he assured her mischievously.
"Bohemia and poverty rub shoulders down here. It's picturesque. And
my club is only five blocks east. Beyond this door there's a
mysterious magic tunnel that runs straight through the house to
Somebody's back-yard. And in the back-yard is a castle and in the
castle studios and skylights, electricity and steam heat and wide,
old-fashioned fireplaces. Once it was a tenement--just like this with
fifty dirty people in it--but Ann with her magic wand has changed it
all."
The basement door at which he had been ringing a prolonged Morse dot
and dash announcement of identity clicked back and revealed a dimly
lighted tunnel. At the end a flight of steps led up into a courtyard.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account