Artists -- Fiction; Fathers and sons -- Fiction; Triangles (Interpersonal relations) -- Fiction
It was impossible to miss the point. Joan's face went scarlet.
"Oh, Kenny!" she said. "You knew--surely you knew I couldn't mean
that."
It was a new delight to hear her say it.
"When Donald writes," reminded Kenny, "then I must go." And watching
the girl's troubled face, he wondered with a thrill of triumph if at
last the madness of the summer was upon her. Well, thank Heaven, he
was honest and honorable. He would stay until the madness waned.
Always he was fated to climb down out of the clouds first.
Ah! But what if Joan slipped back into sense and sanity first? The
possibility filled him with panic. What on earth would he do?
CHAPTER XV
IN WHICH CALIBAN SCORES
It was a prospect doomed to haunt him more and more as the summer which
had bade fail to be so full of peace, took on an indescribable
atmosphere of complication. Where could he go, he wondered
despairingly, that life would not instantly pour around him a
distracting whirlpool of commotion? Was he fated to rush through life
with his fingers clenched in his hair and his teeth set? Was he
doomed, as Garry had once said, to run forever in circles of excitement?
Stumbling and tired, Kenny tried to keep his feet unswervingly in the
path of truth, colorless and uninviting as it seemed; but the strategy
of his practice hour in Adam's room he was forced to abandon, heartsick
for Joan and the future. His battle for her he knew had been in vain.
Useless further to bombard with truth that silent, inscrutable Caliban
upstairs, whose fiendish power to drive him to his notebook when he
chose in turn to tell the truth, seemed uncanny. And it was practice
enough to tell the truth to Joan! God grant, in all sincerity, that he
might come to justify the faith in the dear eyes of her.
He made one last heroic effort to break his chain of thraldom. After
an interval of bitter insubordination which ended each night in
surrender, he set his teeth and vowed by every sacred thing he knew
that to-morrow night, summons or no summons, he would not go to the
sitting room of Adam Craig. He would secretly leave the farmhouse at
dusk with Joan and when Hughie knocked on his bedroom door, ready to
say that the old man was lonely and in pain, he would be safe and
serene in the cabin in the pines. Was it fated to be his refuge too?
Torrential rain woke him in the morning. Kenny stared out at the wet
valley in tragic unbelief. It simply could not be; for he wanted a
dusk flecked with stars. But the rain gave no promise of abating and
late that afternoon he altered the detail of his rebellion.
Fortunately there were other ways. When the dusk closed in and the old
man watched the clock and waited, he would go boldly downstairs to the
old piano and register his rebellion in music that Adam Craig could
hear. He would spend his evening openly with Joan; he would go through
fire and water; he would ride the whirlwind and direct the storm but
what this time he would assure his emancipation.
Public-domain text, read in full here on John Shaqi.
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