Kensington Palace, the birthplace of the Queen: being an historical guide to the state rooms, pictures and gardensLaw, Ernest
History
Kensington Palace, the birthplace of the Queen: being an historical guide to the state rooms, pictures and gardens
Law, Ernest
Kensington Palace (London, England) -- Guidebooks; Victoria, Queen of Great Britain, 1819-1901
Wolfe lies in the centre, to the right, supported by three
officers. In front of him is a wounded officer, standing, supported
by others, to hear his dying injunctions. At his feet is an Indian
warrior in his war-paint, gazing at him to see how an English chief
will die. On the extreme left is a messenger running, and on the
left ships with soldiers disembarking. On canvas, 5 ft. high, by 8
ft. wide.
Wolfe was killed on the 13th September, 1759, in the moment of
victory before Quebec. "The fall of Wolfe was noble indeed. He
received a wound in the head, but covered it from his soldiers with
his handkerchief. A second ball struck him in the belly, but that
too he dissembled. A third hitting him in the breast, he sank under
the anguish, and was carried behind the ranks. Yet, fast as life
ebbed out, his whole anxiety centred on the fortune of the day. He
begged to be borne nearer to the action, but his sight being dimmed
by the approach of death, he entreated to be told what they who
supported him saw: he was answered, that the enemy gave ground. He
eagerly repeated the question, heard the enemy was totally routed,
cried 'I am satisfied,' and expired." (Walpole's _Memoirs_.)
"In this picture, which was painted in 1771, West introduced the
sensible innovation of dressing the characters in their proper
costume; previous to that time it was the common practice with
painters to dress their figures in historical compositions of any
kind, in the Greek or Roman costume. Sir Joshua Reynolds was one
of those who were averse to the innovation, but when the picture
was finished, he changed his opinion. After a careful examination
of the picture, he observed to the Archbishop of York, who was with
him at the time, 'West has conquered; he has treated his subject as
it ought to be treated; I retract my objections. I foresee that
this picture will not only become one of the most popular, but will
occasion a revolution in the art.' When West related this to the
King, he said, 'I wish I had known all this before, for the
objection has been the means of Lord Grosvenor getting the picture,
but you shall make a copy for me.'"
This is the copy ordered by George III., for which the painter
received £315. The original is at Grosvenor House, and has been
finely engraved by Woollett. There are several other repetitions of
it.
81 Prince of Wales (George IV.), and Duke of York
(_500_) . . . . . WEST.
The Prince is on the left, in yellow satin, his right hand on his
hip, his left on his brother's shoulder, who leans against a table.
They are both in the robes of the Garter and St. Andrew. On canvas,
9 ft. high, by 7 ft. wide.
Public-domain text, read in full here on John Shaqi.
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