Their domestic life was not happy. In politics he distinguished himself by granting liberty of the press to his subjects; in reward for which Voltaire addressed the famous lines to him, in which he tells him: "Je me jette à tes pieds au nom du genre humain." He afterwards went out of his mind, and died in 1808. He was the son of Princess Louisa, the daughter of George II., and succeeded to the throne in 1766. The engraving after this picture by G. Fisher is dated 1769. 94 Portrait of Richard Brinsley Sheridan (_891_) . . . . . K. A. HICKEL? Bust; face turned slightly to the right. He has a blue coat and a yellow waistcoat. His face is close-shaven. On canvas, 2 ft. high, by 1 ft. 8 in wide. "Whatever Sheridan has done, or chosen to do, has been _par excellence_ always the best of its kind. He has written the best comedy, the best farce, and the best address ('Monologue on Garrick'), and, to crown all, delivered the very best oration (the famous Begum speech) ever conceived or heard in this country."--_Byron._ This appears to be the study for, or a replica of, the head of Sheridan in the picture of the Interior of the old House of Commons in 1793, painted by Karl Anton Hickel, and now in the National Portrait Gallery. 95 Portrait of Spencer Perceval (_890_) . . . . . JOSEPH. Half-length, turned to the left. In his left hand he holds a paper. He wears a blue coat and a white waistcoat. His face is shaven, his hair grey, and his head bald in front. On canvas, 2-1/2 ft. high, by 2 ft. wide. Behind is written:--"Received from Mrs. Joseph, 18th June, 1814." This is a posthumous likeness, taken from a mask after death, but considered by all who knew him to be a faithful resemblance. When Queen Charlotte went to see it, and the curtain which covered it was withdrawn, she was so struck with its truth, that she burst into tears. Many copies with slight variations were executed; one of them is now in the National Portrait Gallery. It is engraved in mezzotint by Turner. It is a fair specimen of George Francis Joseph, an indifferent artist, who was elected an associate of the Royal Academy after painting this portrait. He died in 1846. Perceval, who became Prime Minister in October, 1809, was assassinated in the lobby of the House of Commons by Bellingham, on May 11th, 1812. The official documents he holds in his hand remind us that his state papers were not at all to the taste of the Prince Regent, who remarked, "that it was a great misfortune to Mr. Perceval to write in a style which would disgrace a respectable washerwoman." 96 Mary Granville, Mrs. Delany (_944_) . . . . . OPIE.