Kensington Palace, the birthplace of the Queen: being an historical guide to the state rooms, pictures and gardensLaw, Ernest
History
Kensington Palace, the birthplace of the Queen: being an historical guide to the state rooms, pictures and gardens
Law, Ernest
Kensington Palace (London, England) -- Guidebooks; Victoria, Queen of Great Britain, 1819-1901
The ceiling of this room, like most of those in the state apartments
built by Wren, is "coved" or "saucer-domed," and was no doubt originally
quite plainly-coloured, with a light cream-tinted wash. As we see it
now, it gives the idea of an attempt by Kent to imitate Raphael's Loggie
in the Vatican. The paintings have been stated to be in imitation of
those "then recently discovered on the ruined walls of Herculaneum and
Pompeii," but these were not unearthed until twenty-five years after.
Kent has, however, carefully followed what indications he could get of
the decorative treatment of Roman classic art. The colours are
bright-reds and blues, enriched with gilding on a white ground. The
ceiling, or rather the plaster behind the cornice, bears the date, 1724.
Faulkner, in his "History of Kensington," considers that "a proof of his
liberal zeal for the interest of his profession is clearly evinced by
his adopting this antique ornament rather than his own historical
compositions." Why this should be the case, however, he does not deign
to explain.
Ceremonial Pictures of the Queen's Reign.
In this room are arranged the ceremonial pictures of the reign of the
Queen, copied from well-known pictures by British artists. They afford
most accurate representations of the events depicted, and no doubt will
live to remotest history, as interesting and curious specimens of early
Victorian art. The scenes, and the participants in them are all too well
known to require explanation. Perhaps later on the numbered "key-plans"
will be put up to assist in the identification of each personage.
271 Coronation of the Queen in Westminster Abbey, June 28th, 1838. Her
Majesty taking the Sacrament . . . . . _After_ C. R. LESLIE, R.A.
When the Queen had been formally invested with the insignia of her
sovereignty, and had received the homage of the peers, she laid
aside the crown and sceptre, and following the Archbishop, advanced
to the altar to receive the sacrament.
272 Marriage of the Queen and Prince Albert at the Chapel Royal, St.
James's, 10th February, 1840 . . . . . _After_ HAYTER.
273 Christening of the Princess Royal at Buckingham Palace, 10th
February, 1841 . . . . . _After_ C. R. LESLIE, R.A.
274 Marriage of the Princess Royal to Prince Frederick William of
Prussia in the Chapel Royal, St. James's, 25th January,
1858 . . . . . _After_ J. PHILLIP, R.A.
275 Christening of the Prince of Wales in St. George's Chapel, Windsor
Castle, 28th of January, 1842 . . . . . _After_ HAYTER.
276 Marriage of the Prince of Wales and the Princess Alexandra of
Denmark in St. George's Chapel, Windsor Castle, 10th March,
1863 . . . . . _After_ W. P. FRITH, R.A.
277 A Sketch of the Queen leaving Westminster Abbey after her
Coronation . . . . . _By_ CAMILLE ROQUEPLAN.
Camille Roqueplan was a French artist sent over by Louis Philippe
to make sketches at the Queen's Coronation.
Public-domain text, read in full here on John Shaqi.
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