Kew Gardens: With 24 full-page Illustrations in ColourMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Kew Gardens: With 24 full-page Illustrations in Colour
Moncrieff, A. R. Hope (Ascott Robert Hope)
Kew (London, England); Royal Botanic Gardens, Kew
Then a drawback to tropical scenes on which travellers are emphatically
in one tale, is the innumerable plagues bred in such hot air as we
imitate at Kew--here filtered from its hostile engenderings--the
maddening mosquitoes that swarm in equatorial forests as on Arctic
tundras; the legions of ants, white, red, and black, that prey upon
the traveller’s kit and torture his skin like a shirt of Nessus; harpy
moths that have to be driven from one’s food; swarms of earwigs which
some African adventurers have found the hatefulest enemy of their march.
Kew breeds no serpent or vampire like those haunting natural paradises
where the blaze that scares away lions or leopards only attracts darting
spiders and scurrying scorpions to a couch already made restless by
buzzing and biting pests; where the ground hides flesh-burrowing ticks
and fleas, and the air is thick with invisible stings, and the trees
bear venomous caterpillars; where one durst not smell a flower for fear
of inhaling some noxious parasite, and our loathsomest bugs would seem
hardly worth noticing among bloated cockroaches and hideous centipedes;
where countless flies lay seeds of death in man and beast, not to speak
of clouds of locusts that sometimes darken the sky like a snow-storm, and
if they could cross the Channel, might fall on this Thames-side garden to
eat up its greenery in an hour.
And the noises of those sweltering thickets, which at night a new-comer
in South America compares to some factory worked by whirling, whistling
and hissing demons! Even the gloomy stillness of noon, broken by the
fall of some big fruit thudding to the ground like a cannon-ball, or
by some seed-capsule exploding with a report like a shot, even this
heavy siesta of Nature is not altogether voiceless, for beneath it, as
Humboldt says, one can catch a faint stifled undertone, a buzz and
hum of insects that crowd the earth and the lowest strata of air, a
confused vibrating murmur, which from every bush, from the cracked bark
of trees, from the soil burrowed by creeping things, proclaims life
audibly manifest to him who listens. But it is the evening, our emblem of
peace, the welcome twilight through which the ploughboy goes whistling
home, that wakes tropical shades to an untuned concert of croaking,
screaming, chattering, wailing, howling, and humming, when the darkness
seems alive with invisible cracklings, patterings, scratchings, skippings
and rustlings, silenced for the moment by the blood-curdling growl and
crashing spring of some beast of prey, and the piercing death-screech of
its victim echoing far where every foot of ground is scene for nightly
tragedies. One need be no Macbeth to have one’s sleep murdered by alarms
and excursions for which heated imagination acts as a megaphone. “The
clamour of the jackals over a carcass suggests a band of hungry wolves.
A mongoose having it out with a rat beneath the floor is like an animal
Armageddon.
Public-domain text, read in full here on John Shaqi.
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