Feminist fiction, Australian; Sex role -- Fiction; Short stories, Australian; Women -- Fiction
It is a long way, she keeps thinking. Where are they going, anyway?
Oh, yes, to the tug,--the tug that is to bear them away on a glorious
lonely death-ride, out of the sunny fjord to the glistening sea, away
to where the rainbow ends. At the end of the rainbow you'll find a pot
of gold! But, first, they must pass through the wide wooden gate; it is
open. What is that they say about a wide wooden gate? No, it's about a
road,--it's the wide road that leads to destruction. They have decked
the gate with green too,--the gate through which the children used to
peer with inquisitive, frightened child-eyes, up to the house where
the wicked man dwelt. How they used to scamper away with half-real,
half-acted terror at a cry of, "The man is coming!"--the man who was
a bogie-man to them, a name with which to threaten them when naughty,
about whom their elders told dreadful tales in subdued voices. She
remembers this, and smiles half sadly to see as they reach the narrow
street how the children swarm to meet his coming. There is no school
to-day, and they get under the horses' hoofs, and crowd round the car,
and point with dirty, chubby fore-fingers, and clasp hands, and cluster
together in groups of twos and threes, and gaze with awe-struck eyes,
and whisper, and follow. And one whispers to his comrades how he once
got a drive and a silver piece from "the man," and another how he gave
little Tulla a piece of cake. And she thinks of the train that danced
in the wake of the pied piper, and of his own little ones who know
him not. Perhaps they are dancing and laughing to-day,--to-day, when
the father who gave them no name is being borne along to the tuneful
patter of little feet that are not of his kith nor his kin. She seems
to feel that that thing in the coffin is not he. He is walking next
her, laughing with the rare humor of his best moments; chuckling at
the grand funeral they are giving him,--him the bad man, of whom they
had nought but evil to say. How hard it is to go down hill slowly! She
tells herself that later on in the ages to come, when the little ones
here have gone to their last homes as withered elders, the tales of
the bogie-man of their child-days may have grown into a saga of a wild
Angleman with great wealth, who landed and made himself a home on their
coast, and drank and caroused and bought the strangest things; who took
mad sails in a boat right into the teeth of coming gales that the
pilots feared to brave, when the white-crested horses leaped high over
the rocks, and the sea-dragons roared below, and the gray mews shrieked
shrill warnings to the fishers to hasten them home; who turned the
night into day, and took wild hag-rides with his baying and galloping
horses at midnight, and used to crack his whip and urge them on with
exultant oaths, and never let his little wife out of his sight, but
call for her if he missed her till the woods rang with her name.
Public-domain text, read in full here on John Shaqi.
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