Khaled, A Tale of ArabiaCrawford, F. Marion (Francis Marion)
Science
Khaled, A Tale of Arabia
Crawford, F. Marion (Francis Marion)
Arabian Peninsula -- Fiction
At the time when the beggars were carrying away Abdullah and his wife,
Khaled was sitting in his accustomed place, silent and heavy at heart,
and Zehowah played softly to him upon a barbat and sang a sad song in a
low voice. For she saw that gloominess had overcome him and she feared
to disturb his mood, though she would gladly have made him smile if she
had been able.
A black slave of Khaled's whom he had treated with great kindness had
secretly told him that there was a plan to enter the palace with evil
during that night, for the fellow had spied upon those who knew and had
overheard what he now told his master. He had also asked whether he
should not warn the guards of the palace, in order that a strict watch
should be kept, but Khaled had bidden him be silent.
'Either the guards are conspiring with the rest,' said Khaled, 'and will
be the first to attack me, or they are ignorant of the plan; and if so
how can they withstand so great a multitude? I will abide by my own
fate, and no man shall lose his life for my sake unless he desires to do
so.'
But he privately put on a coat of mail under his aba, and when he sat
down in the harem to await the end he would not let Zehowah take his
sword, but laid it upon his feet and sat upright against the wall,
looking towards the door.
'Since I have no soul,' he said to himself, 'this is probably the end of
all things. But there is no reason why I should not kill as many of
these murderers as possible.'
He was gloomy and desponding, however, since he saw that his hour was at
hand, and that Zehowah was no nearer to loving him than before. He
watched her fingers as she played upon the instrument, and he listened
to the soft notes of her voice.
'It is a strange thing,' he thought, 'and I believe that she is not able
to love, any more than my sword upon my feet, which is good and true and
beautiful, and ever ready to my hand, but is itself cold, having no
feeling in it.'
Still Zehowah sang and Khaled heard her song, listening watchfully for a
man's tread upon the threshold and looking to see a man's face and the
light of steel in the shadow beyond the lamps.
'The night is long,' he said at last, aloud.
'It is not yet midnight,' Zehowah answered. 'But you are tired. Will you
not go to rest?'
'I shall rest to-morrow,' said Khaled. 'To-night I will sit here and
look at you, if you will sing to me.'
Zehowah gazed into his eyes, wondering a little at his exceeding
sadness. Then she bowed her head and struck the strings of the
instrument to a new measure more melancholy than the last, and sang an
old song of many verses, with a weeping refrain.
'Are you also heavy at heart to-night?' Khaled asked, when he had
listened to the end.
'It is not easy to kindle a lamp when the rain is falling heavily,'
Zehowah said. 'Your sadness has taken hold of me, like the chill of a
fever. I cannot laugh to-night.'
Public-domain text, read in full here on John Shaqi.
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