Kentucky -- Fiction; Mothers and daughters -- Fiction
Percival Channing; at thirty-four, had moments of regretting that he had
not conserved his energies more carefully, been more truly "wedded to
his Art," to use the girl's quaint phrase. He felt latterly a little
stale, a little jaded and world-worn. It had occurred to him during the
night that contact with so vital a personality might refresh him, might
do for him what contact with the earth did for the giant Antæus. Indeed,
to his imagination she suggested the earth, field and pasture and wooded
stream, nature in her abundance, promise. She was the very essence of
this Kentucky, this half-tamed wilderness that he had come to study and
to portray.
There is no more charming companion than your temperamentalist, when
once the spark is struck. Jacqueline for the first time in her life
enjoyed that most subtle flattery of being understood. Here was a
person, a thoroughly "grown-up" person, who did not pet and humor her,
and tease her as if she were a child; who on the other hand did not
demand of her the impossible formalities of young ladyhood. Famous
author as he was, he accepted her just as he found her, and liked her
that way. She compared him with Philip, always suggesting some change,
always trying to improve her; and after all Philip was nothing but a
country clergyman!
When she had exhausted her own eager confidences, Mr. Channing paid her
the compliment of talking about himself. He made confidences in return.
She learned that he, like her, had suffered and was still suffering from
a lack of sympathy on the part of his family. They failed completely to
appreciate the necessities, the difficulties, of the artistic
temperament. In fact, he had practically given up his family, and was a
homeless wanderer upon the face of the earth, seeking his encouragement
among strangers.
"But surely they must appreciate you now," cried Jacqueline. "Why, you
are famous!"
He admitted it, rather sadly. "Famous--and lonely," he said.
She gave him an impulsive hand by way of sympathy. "I'd be willing to be
lonely, if I could be famous. But I wouldn't be willing to have mother
lonely," she added. "I never could make up my mind to leave her here
alone."
"Alone? But there's your sister."
"No, there isn't. Not now. She's here, of course, but--" The girl's face
shadowed, but she did not explain. The shock of that terrible scene
between the two beings she loved best was a thing that did not bear
thinking of, much less speaking of. Sometimes at night she woke
trembling and sobbing with the memory of it, as from a nightmare. But by
day she put it from her determinedly, and tried to pretend that
everything was as it always had been in her home.
"Have you told your mother about this ambition of yours?" he asked
curiously.
She shook her head. "No. I've hinted, but they--they laughed at me, and
Jemmy said that it wouldn't be lady-like to go on the stage, even in
grand opera."
Public-domain text, read in full here on John Shaqi.
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