"That is a little temple," explained her cousin, "for Inari Sama."
At the top of the flight of steps Asako distinguished two stone foxes.
Their expression was hungry and malign. They reminded her of--what?
She remembered the little temple outside the Yoshiwara on the day she
had gone to see the procession.
"Do you say prayers there?" she asked her companion.
"No, _I_ do not," answered the Japanese, "but the servants light
the lamp every evening; and we believe it makes the house lucky.
We Japanese are very superstitious. Besides, it looks pretty in the
garden."
"I don't like the foxes' faces," said Asako, "they look bad
creatures."
"They _are_ bad creatures," was the reply, "nobody likes to see a fox;
they fool people."
"Then why say prayers, if they are bad?"
"It is just because they are bad," said Sadako, "that we must please
them. We flatter them so that they may not hurt us."
Asako was unlearned in the difference between religion and
devil-worship, so she did not understand the full significance of this
remark. But she felt an unpleasant reaction, the first which she had
received that day; and she thought to herself that if she were the
mistress of that lovely garden, she would banish the stone foxes and
risk their displeasure.
The two girls returned to the house. Its shutters were up, and it,
too, had that same appearance of a Noah's Ark but of a more complete
and expensive variety. One little opening was left in the wooden
armature for the girls to enter by.
"Please come again many, many times," was cousin Sadako's last
farewell. "The house of the Fujinami is your home. _Sayonara_!"
* * * * *
Geoffrey was waiting for his wife in the hall of the hotel. He was
anxious at her late return. His embrace seemed to swallow her up to
the amusement of the _boy sans_ who had been discussing the lateness
of _okusan_, and the possibility of her having an admirer.
"Thank goodness," said Geoffrey, "what have you been doing? I was just
going to organise a search party."
"I have been with Mrs. Fujinami and Sadako," Asako panted, "they
would not let me go; and oh!"--She was going to tell him all about her
mother's picture; but she suddenly checked herself, and said instead,
"They've got such a lovely garden."
She described the home of the cousins in glowing colours, the
hospitality of the family, the cleverness of cousin Sadako, and
the lessons which they were going to exchange. Yes, she replied to
Geoffrey's questions, she had seen the memorial tablets of her father
and mother, and their wedding photograph. But a strange paralysis
sealed her lips, and her soul became inarticulate. She found herself
absolutely incapable of telling that big foreign husband of hers,
truly as she loved him, the veritable state of her emotions when
brought face to face with her dead parents.
Public-domain text, read in full here on John Shaqi.
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