In the central buildings, five feet above this noisy confluence of
people, where the golden images of the Buddhas are enthroned, the
mitred priests with their copes of gold-embroidered brown were
performing the rituals of their order. To right and left of the high
altar, the canons squatting at their red-lacquered praying-desks, were
reciting the _sutras_ in strophe and antistrophe. Clouds of incense
rose.
In the adjoining building an earnest young preacher was exhorting a
congregation of elderly and somnolent ladies to eschew the lusts of
the flesh and to renounce the world and its gauds, marking each point
in his discourse with raps of his fan. Foxy-faced satellites of the
abbey were doing a roaring trade in charms against various accidents,
and in sacred scrolls printed with prayers or figures of Nichiren.
The temple-yard was an immense fancy fair. The temple pigeons wheeled
disconsolately in the air or perched upon the roofs, unable to find
one square foot of the familiar flagstones, where they were used to
strut and peck. Stalls lined the stone pathways and choked the spaces
between the buildings. Merchants were peddling objects of piety,
sacred images, charms and rosaries; and there were flowers for the
women's hair, and toys for the children, and cakes and biscuits,
_biiru_ (beer) and _ramuné_ (lemonade) and a distressing sickly drink
called "champagne cider" and all manner of vanities. In one corner of
the square a theatre was in full swing, the actors making up in
public on a balcony above the crowd, so as to whet their curiosity and
attract their custom. Beyond was a cinematograph, advertised by lurid
paintings of murders and apparitions; and farther on there was a
circus with a mangy zoo.
The crowd was astonishingly mixed. There were prosperous merchants of
Tokyo with their wives, children, servants and apprentices. There were
students with their blue and white spotted cloaks, their _képis_ with
the school badge, and their ungainly stride. There were modern young
men in _y[=o]fuku_ (European dress), with panama hats, swagger canes
and side-spring shoes, supercilious in attitude and proud of their
unbelief. There were troops of variegated children, dragging at
their elders' hands or kimonos, or getting lost among the legs of the
multitude like little leaves in an eddy. There were excursion parties
from the country, with their kimonos caught up to the knees, and with
baked earthen faces stupidly staring, sporting each a red flower or
a coloured towel for identification purposes. There were labourers
in tight trousers and tabard jackets, inscribed with the name and
profession of their employer. There were _geisha_ girls on their best
behaviour, in charge of a professional auntie, and recognizable only
by the smart cut of their cloaks and the deep space between the collar
and the nape of the neck, where the black _chignon_ lay.
Public-domain text, read in full here on John Shaqi.
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