United States -- History -- Civil War, 1861-1865 -- Fiction
"Bet. 'He has bet three-ee général' he'll pazz down Canal Street and
through the middl' of the city, unreco'nize! And now he's done it,
they'll let him do the rest!" From his Creole eyes the enthusiast blazed
a complete argument, that an educated commander, so disguised and
traversing an enemy's camp, can be worth a hundred of the common run
who go by the hard name of spy, and may decide the fortunes of a whole
campaign: "They'll let him! and he'll get the prom-otion!"
"Ho-oh!" breathed the two women, "he's getting all the promotion _he_
wants, right now!" The three heard Anna pass into the front drawing-room
across the hall, the carriage move off and the disguised man enter the
hall and set down the travelling-bags. They stole away through the
library and up a rear stair.
It was not yet late enough to set guards within the house. No soul was
in the drawing-rooms. In the front one, on its big wheels between two
stacks of bayoneted rifles, beneath a splendor of flags and surrounded
by innumerable costly offerings, rested as mutely as a seated idol that
superior engine of death and woe, the great brass gun. Anna stole to it,
sunk on her knees, crossed her trembling arms about its neck and rested
her brow on its face.
She heard the tread in the hall, quaked to rise and flee, and yet could
not move. It came upon the threshold and paused. "Anna," said the voice
that had set her heart on fire across the carriage step. She sprang up,
faced round, clutched the great gun, and stood staring. Her follower was
still in slave garb, but now for the first time he revealed his full
stature. His black locks were free and the "Madras" dropped from his
fingers to the floor. He advanced a pace or two.
"Anna," he said again, "Anna Callender,"--he came another step--"I've
come back, Anna, to--to--" he drew a little nearer. She gripped the
gun.
He lighted up drolly: "Don't you know what I've come for? I didn't
know, myself, till just now, or I shouldn't have come in this rig,
though many a better man's in worse these days. I didn't
know--because--I couldn't hope. I've come--" he stole close--his arms
began to lift--she straightened to her full height, but helplessly
relaxed as he smiled down upon it.
"I've come not just to get your promise, Anna Callender, but to muster
you in; to _marry_ you."
She flinched behind the gun's muzzle in resentful affright. He lowered
his palms in appeal to her wisdom. "It's the right thing, Anna, the only
safe way! I've known it was, ever since Steve Mandeville's wedding. Oh!
it takes a colossal assurance to talk to you so, Anna Callender, but
I've got the _colossal assurance_. I've got that, beloved, and you've
got all the rest--my heart--my soul--my life. Give me yours."
Anna had shrunk in against the farther wheel, but now rallied and moved
a step forward. "Let me pass," she begged. "Give me a few moments to
myself. You can wait here. I'll come back."
Public-domain text, read in full here on John Shaqi.
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