United States -- History -- Civil War, 1861-1865 -- Fiction
Why did the carriage halt at a Gravier Street crossing obliquely
opposite the upper front corner of the St. Charles Hotel? Why did all
the hotel's gold-braided guests and loungers so quietly press out
against its upper balustrades? Why, under its arches, and between
balcony posts along the curbstones clear down to Canal Street, was the
pathetically idle crowd lining up so silently? From that point why, now,
did the faint breeze begin to waft a low roar of drums of such grave
unmartial sort? And why, gradually up the sidewalks' edges in the hot
sun, did every one so solemnly uncover? Small Victorine stood up to see.
At first she made out only that most commonplace spectacle, home guards.
They came marching in platoons, a mere company or two. In the red and
blue of their dress was all the smartness yet of last year, but in their
tread was none of it and even the bristle of their steel had vanished.
Behind majestic brasses and muffled drums grieving out the funeral
march, they stepped with slow precision and with arms reversed. But now
in abrupt contrast there appeared, moving as slowly and precisely after
them, widely apart on either side of the stony way, two single
attenuated files of but four bronzed and shabby gray-jackets each, with
four others in one thin, open rank from file to file in their rear, and
in the midst a hearse and its palled burden. Rise, Anna, Constance,
Miranda--all. Ah, Albert Sidney Johnston! Weep, daughters of a
lion-hearted cause. The eyes of its sons are wet. Yet in your gentle
bosoms keep great joy for whoever of your very own and nearest the awful
carnage has spared; but hither comes, here passes slowly, and yonder
fades at length from view, to lie a day in state and so move on to
burial, a larger hope of final triumph than ever again you may fix on
one mortal man.
Hats on again, softly. Drift apart, aimless crowd. Cross the two streets
at once, diagonally, you, young man from the St. Charles Hotel with
purpose in your rapid step, pencil unconsciously in hand and trouble on
your brow. Regather your reins, old coachman--nay, one moment! The
heavy-hearted youth passed so close under the horses' front that only
after he had gained the banquette abreast the carriage did he notice its
occupants and Anna's eager bow. It was the one-armed Kincaid's Battery
boy reporter. With a sudden pitying gloom he returned the greeting,
faltered as if to speak, caught a breath and then hurried on and away.
What did that mean; more news; news bad for these five in particular?
Silently in each of them, without a glance from one to another, the
question asked itself.
"The True Delta," remarked Anna to Miranda, "is right down here on the
next square," and of his own motion the driver turned that way.
"Bitwin Common Strit and Can-al," added Victorine, needless words being
just then the most needed.
Public-domain text, read in full here on John Shaqi.
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