King Alfred of England: Makers of HistoryAbbott, Jacob
History
King Alfred of England: Makers of History
Abbott, Jacob
Alfred, King of England, 849-899 -- Juvenile literature; Great Britain -- History -- Alfred, 871-899 -- Juvenile literature
Ethelney was in the county called Somersetshire. To the southwest
of Somersetshire, a little below it, on the shores of the Bristol
Channel, was a castle, called Castle Kenwith, in Devonshire. The
Duke of Devonshire, who held this castle, encouraged by Alfred's
preparations for action, had assembled a considerable force here, to
be ready to co-operate with Alfred in the active measures which he was
about to adopt. Things being in this state, Hubba brought down his
forces to the northern shores of the Channel, collected together all
the boats and shipping that he could command, crossed the Channel,
and landed on the Devonshire shore. Odun, the duke, not being strong
enough to resist, fled, and shut himself up, with all his men, in the
castle. Hubba advanced to the castle walls, and, sitting down before
them, began to consider what to do.
Hubba was the last surviving son of Ragner Lodbrog, whose deeds and
adventures were related in a former chapter. He was, like all other
chieftains among the Danes, a man of great determination and energy,
and he had made himself very celebrated all over the land by his
exploits and conquests. His particular horde of marauders, too, was
specially celebrated among all the others, on account of a mysterious
and magical banner which they bore. The name of this banner was the
_Reafan_, that is, the Raven. There was the figure of a raven woven
or embroidered on the banner. Hubba's three sisters had woven it for
their brothers, when they went forth across the German Ocean to avenge
their father's death. It possessed, as both the Danes and Saxons
believed, supernatural and magical powers. The raven on the banner
could foresee the result of any battle into which it was borne. It
remained lifeless and at rest whenever the result was to be adverse;
and, on the other hand, it fluttered its wings with a mysterious and
magical vitality when they who bore it were destined to victory. The
Danes consequently looked up to this banner with a feeling of profound
veneration and awe, and the Saxons feared and dreaded its mysterious
power. The explanation of this pretended miracle is easy. The
imagination of superstitious men, in such a state of society as that
of these half-savage Danes, is capable of much greater triumphs over
the reason and the senses than is implied in making them believe that
the wings of a bird are either in motion or at rest, whichever
it fancies, when the banner on which the image is embroidered is
advancing to the field and fluttering in the breeze.
Public-domain text, read in full here on John Shaqi.
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