King Eric and the Outlaws, Vol. 2: or, the Throne, the Church, and the People in the Thirteenth Century.Ingemann, Bernhard Severin
History
King Eric and the Outlaws, Vol. 2: or, the Throne, the Church, and the People in the Thirteenth Century.
Ingemann, Bernhard Severin
Denmark -- History -- Erik Menved, 1286-1319 -- Fiction
Drost Aagé had not neglected to attend Thrand Fistlier's performances,
and the optic theatre with which he entertained the astonished visitors
at the fair. He had bought of the artist some of his most remarkable
and valuable inventions, and gained information of their application
and use. He could not refuse his admiration to what he here saw of the
famous discoveries of Roger Bacon, and observed the whole exhibition
with attention. It consisted chiefly of small optical cases in which
the powers of the magnifying glass were applied in a manner hitherto
unknown in the North, and by which the artist excited great
astonishment. What was seen in these boxes was not only the
transformation of small animals into monsters, but even a figurative
metamorphosis of the world in Master Thrand's own taste:--saints and
martyrs, miraculous sights, and legendary pictures, processions of
monks with the Host, the banners of the Madonna, and crucifixes, were
represented in a ridiculous manner by the side of all the Grecian and
Roman gods with their profanest love adventures. All this passed in dim
caricature before the eyes of the spectators, and gave place at last to
a number of dazzling allegorical figures, intended to represent Wisdom,
Philosophy, Freedom, Burgher Commerce, Political Economy, The Study of
Nature, and other subjects of the same kind. As soon as it grew
sufficiently dark for the purpose, Master Thrand exhibited small
burning wheels, stars, and suns with many-coloured rays, which flew
with a clear light into the air, and suddenly exploded with a slight
report.
The Drost considered this last exhibition both beautiful and
remarkable; all these things, however, were but trifles compared with
what Master Laurentius had related of the matchless and wondrous feats
which this mountebank was capable of performing. The sight of the small
stars and suns which flew up over the sea and burst in the calm evening
sky, afforded endless amusement to the spectators, to whom it seemed an
entirely novel and incomprehensible phenomenon; but the people's
admiration of this dazzling diversion as well as the beautiful
fantastic spectacle itself in its aërial theatre, threw Aagé into a
singularly pensive mood.
Public-domain text, read in full here on John Shaqi.
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