King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.Ingemann, Bernhard Severin
History
King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.
Ingemann, Bernhard Severin
Denmark -- History -- Erik Menved, 1286-1319 -- Fiction
"What was that?" said Count Henrik to himself, with a start, "a spirit
of darkness lurks between the royal brothers!" He left not the passage
ere he had seen the pyrotechnic artist steal back from the junker's
apartments, and repair to the knights' story in the opposite wing of
the castle, where all the stranger guests were assigned their quarters
for the night. Count Henrik did not betake himself to rest, but watched
this night as captain of the halberdiers, without the door of the
king's sleeping apartment.
CHAP. X.
By the first peep of dawn, all was joyous commotion at Helsingborg
Castle. Every Danish courtier and knight knew the punctuality and
impetuosity of the young king, when it was necessary to be stirring at
an early hour, even only on occasion of a hunting expedition. Every
knight and squire who had not foot in stirrup, when the king was in the
saddle, might expect a stern glance or a serious rebuke. On this solemn
and important day, to which the attention of both kingdoms was turned,
and which had been so ardently desired by Eric, it seemed as if the sun
alone dared to put his patience to the proof. Ere day-break, the king's
handsome horses, with their silken coverings and caparisons, stood
already saddled in the court-yard of the castle; the richly-attired
knights, clad in silk or plush, thronged gaily together, and hardly had
the sun-beams of the first day of June shone upon the glittering bridal
train, before Eric, leading his royal mother by the hand, stepped forth
on the staircase of the upper story, and bowed courteously on all
sides. He followed Countess Agnes to the ladies' car, with his head
uncovered, and then vaulted into the saddle. His handsome and youthful
countenance beamed with hope and heartfelt joy, and he seemed to have
slept off every gloomy and disquieting thought. Arrayed in his most
splendid knight's attire, with a rose-coloured shoulder-scarf over his
shoulder, and with white ostrich feathers in his hat, he rode a
spirited milk-white palfrey. His blithe stepfather, Count Gerhard, rode
at his right hand, and Junker Christopher at his left. Even the junker
seemed in a gay mood, but became grave, and coloured when the king
waved his hand and greeted him with a cordiality of look and gesture
which appeared to surprise and humble him. The gilded car, drawn by six
iron-grey Andalusian horses, in which sat the king's dignified mother,
with her ladies, rolled over the castle bridge at the head of the
train, but the king soon rode impatiently past it, with a courteous
apology, which was gladly received. Count Henrik accompanied him with
the half of the knightly train, while the ladies' car and the rest of
the numerous cavalcade found it difficult to keep up with the hastening
bridegroom. All the pathways and banks on the road to Stockholm were
crowded with a countless concourse of people, who shouted with joy at
Public-domain text, read in full here on John Shaqi.
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