King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.Ingemann, Bernhard Severin
History
King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.
Ingemann, Bernhard Severin
Denmark -- History -- Erik Menved, 1286-1319 -- Fiction
The prince had not returned as yet on the commencement of the evening
festivities. The castle resounded with music and mirth. The doors of
the knights' hall and the great antechamber were thrown open to admit
persons of all ranks to the dance and masque. The amusements here, as
at the merry carnival, consisted in whimsical mummings, and scenic
representations, in which the spectators beheld, without displeasure,
the most grotesque mixture of sacred, and profane, subjects. Even a
number of disguised ecclesiastics took part in this diversion, and
enacted what was called "a mystery," or a biblical farce; in which a
German harlequin constantly cracked his jests, while the fight between
David and Goliath was represented, to the great delight of the
populace, who thought to discern, in King David, an allusion to the
king, and in the gigantic Goliath recognized a resemblance, now to Duke
Longshanks, now to the Junker; but as soon as the Drost noticed the
unlucky interpretation of the farce, he ordered these masks away. When
Eric stepped forth among the dancers in the antechamber, the young
maidens sang the ballad, with which he was usually greeted, and which
had now become a kind of a national song. With a feeling of enthusiasm
for their youthful sovereign, and allusion to one of the most romantic
adventures which had occurred in his childhood--they sang gaily:
"O'er Ribe's bridge the dance is led,
The castle it is won!
In broidered shoe the knights they tread,
For young Eric this feat is done!"[8]
The king listened with pleasure to the lay, and talked with Aage of his
beloved Drost Peter Hessel, of whom this song always reminded him; and
when Count Gerhard heard the ballad of Ribehuus, he tramped gaily into
the ranks of the dancers, in joyous remembrance of that event, at which
he had himself been present.
The king's mother and Queen Helvig now entered the antechamber, with
the young and lovely bride, and the joy of the people was uttered yet
more loudly. The ballad-singers instantly began the ballad of Queen
Dagmar's bridal; all the maidens joined in it, and the dancers moved to
the tune. The king stepped forward, with his bride, at the head of the
troop of dancers. At last the maidens sang:
"'Great joy there was o'er Denmark's land,
When Dagmar stepped upon the strand;
Both burgher and peasant then lived in peace,
From tax and ploughpenny-yoke had ease,
From Bohmerland[9] the lady crossed the seas!"
But as they were going to sing the last verse, the ballad-singers took
up the lay and sang:
"'Again there's joy o'er Denmark's land,'
Fair Ingeborg comes unto our strand!
Like Waldemar Seier, King Eric hath found
A Dagmar to bring us on Danish ground;
From Sweden's land so far renowned!"
This verse was repeated amid loud and joyous acclamations.
Public-domain text, read in full here on John Shaqi.
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