King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.Ingemann, Bernhard Severin
History
King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.
Ingemann, Bernhard Severin
Denmark -- History -- Erik Menved, 1286-1319 -- Fiction
It was a beautiful, calm summer evening. The dance and the mask were
confined to the antechamber and the knights' hall. The national
festival was celebrated with bonfires and torch-lights, with music and
feasting, in the court-yard of the castle and the orchard, in the chase
and on the tournament ground. The king showed himself wherever there
was a joyous group assembled, most frequently conducting his lovely
bride by the hand, and accompanied by his princely guests and several
courtiers. They were everywhere welcomed with festive songs and
acclamations. In the castle garden they were greeted by Master Rumelant
and Master Poppe the strong, who, with solemn pathos, recited an
elaborate and carefully-composed poem, in which they praised by turns
the royal bridegroom and his bride, with the royal relatives of both,
and all the nobles there present. The king thanked them with kindness
for this well-meant homage, although the exaggerated praise and trite
compliments did not suit his taste. But they were now surprised by a
new and splendid spectacle--the bridal pair, and a number of children
with wings fastened to their shoulders, who were to represent genii or
angels, were led through the illuminated avenues to a remote part of
the garden, from whence there was the most beautiful prospect over the
Sound; here many hundred vessels burst on the sight, hung with lights
in the form of crowns upon the masts. All that had excited so much
astonishment at Skaenor fair, and had been regarded by the people as the
work of witchcraft and sorcery, was also to be seen here, but exhibited
with far more dazzling effect. Superstitious fear was banished by the
report of the innocence of these artists, and all were prepared to view
the spectacle as a display worthy of the festival. A number of rockets
of different and beautiful colours were let off from boats and floating
rafts; the air glittered with artificial suns, stars, and flaming
wheels, which were mirrored in the calm expanse of the sea.
It was a new and wonder-stirring sight, and afforded great delight to
the spectators. All ceremony and court etiquette were forgotten; each
one eagerly sought that place from whence he could best behold the
dazzling pageant.
Public-domain text, read in full here on John Shaqi.
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