But to the gipsy's ear the music of the tambourine said something very
different; and with a smile upon her lips, blowing into her flute with
its diverging reeds, raising and lowering her slender fingers over the
holes, Zinzara, exerting a subtle influence over all about her,
dressed in soft rags that clung tightly to her form and marked the
outlines of her hips and of her breast in turn; displaying her tawny
calves beneath her skirts, which were lifted up and tucked into her
belt,--Zinzara seemed not to see the spectators.
Twenty or thirty people were looking at her, and still she seemed to
be dancing for her own amusement; but her witch's eye followed,
without seeming to do so, the slightest movement of Renaud's head, the
whole of which could be seen at times between the serge curtains with
red borders, behind the windows of the wine-shop, under the eaves of
the house across the way.
When she saw Livette approach, the dancer beat her feet upon the
ground more rapidly, as if annoyed, and the flute emitted a cry, a
shrill war-cry, like the sound made by tearing silk quickly.
Livette involuntarily shuddered, but she mingled with the group,
momentarily increasing in size, and looked on.
Zinzara made a sign, and uttered some strange, guttural words between
two loud notes--words that were, evidently, a precise command, for a
gipsy child, who had come to her side a moment before, glided under
the wagon, whence he emerged armed with a long white stick, with which
he motioned to the spectators to fall back a little. Then he stationed
himself in front of Zinzara, in the centre of the first row of
spectators, and, turning toward them, enjoined silence upon them by
placing his finger on his lips. The word was passed along, and the
bystanders ceased their conversation, realizing that _something_ was
about to happen.
The dance was at an end.--The tambourine ceased to beat time. The
flute alone sang on in Zinzara's hands, as her fingers moved slowly up
and down.--Now it gave forth a thin, clear note, like the prolongation
of the sound made by a drop of water falling in a fountain; it was a
sweet, insinuating appeal, as melancholy as the croaking of a frog at
night, on the shores of a pond, at the bottom of an echoing, rocky
valley.
And, with the end of his wand, the child pointed out to one of the
spectators something that came crawling out from under the wagon. It
was a tiny snake, with red and yellow spots, and it drew near,
evidently attracted by the notes of the flute. Another followed, and
soon there were several of them--five in all.
Public-domain text, read in full here on John Shaqi.
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