Another person who comes out better than might be expected is Judas. The conception of his character is very fine and very human. Judas, as the treasurer of the little band, naturally felt indignant at the apparent wanton extravagance which led Mary Magdalene to pour ointment worth 300 pence upon the head of her master. There is real human nature and sound practical common sense in his reply to those who told him not to worry about the money, when he retorted, "Who is there to take care about it if I don't?" Judas never really from first to last meditates betraying his master to death. The salves which he lays to his conscience when consenting to identify Jesus at night are very ingenious. Judas was a smart man who calculated he stood to win in any event. He got the indispensable cash; all that he did was to indicate what could perfectly well have been discovered without his aid; if Jesus were what he believed him to be he could easily have baffled his enemies; if he were not, well, then, he had deceived them. But the moment Judas learns that he has really endangered his master's life, his whole demeanor changes. He flings back the blood money at the feet of those who had given it to him, and in the madness of despair he hangs himself. So far from Judas being callous to Christ's fate, his suicide was a proof that his penitence was far more agonizing than that of Peter. Simon Peter also comes in for a share in the general rehabilitation. It was impossible not to feel sympathy for the hasty old man, hustled from side to side by a pack of violent soldiery. Knowing moreover that he had cut off one of their ears but a few hours before, and that if they recognized him his own ears would have been cropped, even if he didn't share the fate of the crucified, his denial is so natural under the circumstances that you cease to marvel that even the cock crow on the roof failed to remind him of his master's warning. The Passion Play has at least done this--it sets us discussing the conduct of Caiaphas and Pilate and Judas, as if they were our contemporaries, as if they were statesmen at Westminster or at Washington or administrators in India or Canada. And this, no doubt, is no small service, for these men are types of human character who are eternally re-embodied among us. III.--THE RELIGION OF THE FUTURE. The story of the Passion Play has ever been real to me in another than a Catholic sense. It has been the perpetual re-incarnation of the divine story in the history of our own times that has absorbed my attention. These ancient figures on the stage of New Testament history were but of importance in so far as they lived again in our own life. Of their mystical theological significance I am, of course, not speaking. This is a thing apart. But the perpetual re-incarnation of God's Messiah in the great causes of justice, freedom and humanity, it is that which has made the gospel story ever new to me.