King--of the Khyber Rifles: A Romance of AdventureMundy, Talbot
History
King--of the Khyber Rifles: A Romance of Adventure
Mundy, Talbot
British -- India -- Fiction; Historical fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction; Love stories; War stories
Then a guard threw his shield down with a clang and deliberately fired
his rifle at the roof. The ricocheting bullet brought down a shower of
splintered stone and stalactite, and he grinned as he watched the
crowd dodge to avoid it. Before they had done dodging and while he yet
grinned, a chant began--ghastly--tuneless--so out of time that the words
were not intelligible--yet so obvious in general meaning that nobody
could hear it and not understand.
It was a devils' anthem, glorifying hellishness--suggestive of the
gnashing of a million teeth, and the whicker of drawn blades--more
shuddersome and mean than the wind of a winter's night. And it ceased as
suddenly as it had begun.
Another ruffian fired at the roof, and while the crack of the shot yet
echoed seven other of the arena guards stepped forward with long horns
and blew a blast. That was greeted by a yell that made the cavern
tremble.
Instantly a hundred men rose from different directions and raced for the
arena, each with a curved sword in either hand. The yelling changed back
into the chant, only louder than before, and by that much more terrible.
Cymbals crashed. The music-box resumed its measured grinding of The
Marseillaise. And the hundred began an Afridi sword dance, than which
there is nothing wilder in all the world. Its like can only be seen
under the shadow of the “Hills.”
Ismail put his hands together and howled through them like a wolf on the
war-path, nudging King with an elbow. So King imitated him, although one
extra shout in all that din seemed thrown away.
The dancers pranced in a circle, each man whirling both swords around
his head and the head of the man in front of him at a speed that passed
belief. Their long black hair shook and swayed. The sweat began to pour
from them until their arms and shoulders glistened. The speed increased.
Another hundred men leaped in, forming a new ring outside the first,
only facing the other way. Another hundred and fifty formed a ring
outside them again, with the direction again reversed; and two hundred
and fifty more formed an outer circle--all careering at the limit of
their power, gasping as the beasts do in the fury of fighting to the
death, slitting the air until it whistled, with swords that missed human
heads by immeasurable fractions of an inch.
Ismail seemed obsessed by the spirit of hell let loose--drawn by it,
as by a magnet, although subsequent events proved him not to have been
altogether without a plan. He got up, with his eyes fixed on the dance,
and dragged King with him to a place ten rows nearer the arena, that had
been vacated by a dancer. There--two, where there was only rightly
room for one--he thrust himself and King next to some Orakzai Pathans,
elbowing savagely to right and left to make room. And patience proved
scarce. The instant oaths of anything but greeting were like overture to
a dog fight.
Public-domain text, read in full here on John Shaqi.
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