Immediately after the King and his royal supporters walked with dignity La Pucelle, in her flashing white armour. In her right hand she bore, at the salute, the crimson-sheathed sword of St. Catherine of Fierbois. Her head was bare, save for her lustrous locks of hair; but some pious souls thought they saw a saint’s nimbus around her brow; it was, perhaps, a ring of sunny halo--a reflection from her mail of steel, or a coronal of coloured glories shot through the stained-glass windows. By the Maid’s side marched her young and true esquire, Louis de Contes, bearing unfurled her magic oriflamme. It was said that Jeanne had not intended to take any part in the actual coronation of her Sovereign; it was quite enough for her that Charles and she had entered Reims together. She was resting quietly and prayerfully, communing with her patron saints, and listening, as was her daily wont, of course, to the “Voices,” within her modest chamber in the humble hostelry,--now the Maison Rouge,--where her parents from Domremy had put up, when René and a Sovereign’s escort clattered up to the door and commanded in the King’s name the Maid’s presence within the cathedral. At once she donned her armour, and, giving René her hand, she walked with him across the cathedral place to where the King was awaiting her. “The people,” it is recorded, “looked on with awe and wonder. Thus had actually come to pass the fantastic vision that floated before the eyes of the young village girl of Domremy, and had thrilled all France.” When La Pucelle had taken up her station on the royal daïs, she grasped her white silken banner in her right hand, saying to those around her: “This oriflamme hath shared the dangers: it has a right to the glories!” That ensign of victory still towers up aloft in the nave of Reims Cathedral, above the very spot where Jeanne stood and Charles was crowned--an abiding mascot of faith and chivalry. We may well imagine the heroine casting her eyes over that splendid temple of God and its occupants, and resting at last mesmerically upon the glorified figures of her three beloved holy ones beaming down upon her from the choirs of saints in the clerestory windows. St. Michael, St. Catherine, and St. Margaret, were all there, and their Master, too, for out and away from the empyreal realm, and beyond the burning sun of heaven, for the coronation of Charles VII. of France at Reims was the apotheosis of Jeanne d’Arc of Domremy. “The glory of God,” as some said who saw her, “there transformed the village maid into a bride of Christ”--a substantial Queen of Heaven.