The date for signing the marriage contract was fixed, February 4, and to all the articles the King and Queen readily assented. The dowry was 50,000 _livres_, but how that large sum was to be raised neither René nor Isabelle had the slightest idea; they had exhausted their exchequer in the fruitless fight for Naples. The Duke of Burgundy, acting as next of kin to the bridegroom-elect, promised to settle a jointure of 40,000 _livres_ on Margaret. René had put forward a plea that the Duke should forego 80,000 _écus d’or_, which was due on loans, and Philippe agreed, receiving as further security and indemnity to the towns of Neufchâteau, Preny, and Longwy,--already in pawn to him,--the Castles of Clermont, Varennes, and Renne, all in Argonne. A secret clause was, however, at the eleventh hour foisted upon the Angevine Sovereigns--a proceeding quite in accordance with the proverbial cunning of the Court of Burgundy. It stipulated that the children of Charles and Margaret should be heirs-presumptive of Sicily-Anjou-Provence, Lorraine, and Bar, to the exclusion of the issue of Ferri and Yolande de Vaudémont. The judicial mind of King René would not let his consent to this article be recorded until he had consulted both the Count de Vaudémont and King Charles of France. The former indignantly interviewed the Duke of Burgundy, and stated his determination to oppose the proposed marriage. Charles resented the stipulation upon the ground of its injustice, and warned his brother-in-law not to agree to any such proposals. The marriage contract was not signed, and, whilst acrimonious negotiations were carried on both at Dijon and Vienne, another and a very much more illustrious suitor of the hand of Princess Margaret appeared upon the scene, no less a person than Henry VI., King of England and France. When the matter was first mooted, it was thought nothing of by the King and Queen of Sicily, because Henry had been all but betrothed to Isabelle, the daughter of the Count of Armagnac, to whom he owed so very much in earlier days. Indeed, the gossip went so far as to link the English King’s name in turn with all three daughters of the Count--the loveliest girls in France: “Three Graces of Armagnac” they were called. Henry had sent his favourite painter, Hans of Antwerp, to paint the three comely sisters, and his handiwork was so acceptable to the royal young bachelor that he sat and gazed at them for long, changing the order of their arrangement to see which face of the beauteous three made the most passionate appeal. The Armagnac marriage was backed by all the influence of the Duke of Gloucester, the younger of the King’s uncles, and lately Lord Protector of England.