The interest and the importance of the celebration was heightened considerably by the fact that there was a double wedding: Count Ferri de Vaudémont and Princess Yolande of Sicily-Anjou were united in the bonds of matrimony immediately after the nuptials of the new Queen. Fêtes and festivities were carried out right royally for eight whole days and nights. The “Lists” were held in the great wide Place de Carrière in Nancy. Charles and René met in amicable conflict, but it was the former’s lance which was tossed up, and René gained the guerdon, which he presented gallantly enough to his sister, the Queen of France. The champion of champions, however, was none other than Pierre de Luxembourg, the earliest fiancée of Queen Margaret, and he had the happy satisfaction of receiving the victor’s crest of honour from her hands--now another’s! Minstrelsy and the stage also lent their aid to the general rejoicings. King René was already styled the “Royal Troubadour,” and he rallied his melodious, merry men in a goodly phalanx, whilst he himself led the music in person and recited his own new marriage poem. The theatre proper had only very recently been established in France. Church mysteries and pageant plays had had their vogue, when, in 1402, Charles VI. granted his charter to “_La Confrèrerie de la Passion_,”--a company, or guild, of masons, carpenters, saddlers, and other craftsmen, and women,--which he established at the village of St. Maur, near Vincennes. These merry fellows introduced to their distinguished audience, in the Castle of Nancy, secular travesties of the well-worn religious spectacles, and won the heartiest applause. King René personally, through the gracious hands of the royal bride, decorated the actors with gay ribbons and medallions.