All the _châtelaines_ forsook their _manoirs_ and took the field-marital in force. Mars had come in strength, Venus would join the fray, and victory was never doubtful. If comely, gallant, doughty knights fell not in deathly conflict in those “Lists” of love, their hearts were captured by fair vanquishers all the same. “En gagea sans retour Son cœur et sa liberté,” describes those battle-fields of Cupid’s warfare! The pageantry of the tournament over, the panoply of the encampment claimed the knightly company of Nancy, and a mighty cavalcade--ladies, too, in litter and on palfrey--ambled off serenely to the great wide plains of Champagne, where René and Charles reviewed at Châlons-sur-Marne the united armies of all the crowns. It was a sight which stirred all the best blood in France, and spoke to her Sovereigns and her statesmen of a new age, when the artifices of war should give place to the arts of peace. Alas! when human things appear to promise peace and joy, there ever comes over the scene the pall of Providence. War again broke out between France and England, but now the French held their own and more; and King René, revived in military ardour, led the victorious vanguard, and crowned his bays of triumph by new palms of peace. Sad news came to him, however, when in Normandy, from his ancestral Angers. His devoted and dearly loved Queen, Isabelle, was laid low with illness. Stalking fever had crossed the castle moat and fixed its baneful touch upon the royal _châtelaine_. Do what she would,--and her will to the end was vigorous enough,--she could not shake off the deadly visitant. She felt that her end was approaching unrelentlessly, and with admirable piety the noble, high-toned Queen controlled her pains, and patiently prepared herself to face her last foe with courageous resignation. Her children were gathered by her bedside--Jean and Yolande in person, Marguerite in spirit, and perhaps Louis, too, from his tomb at Pont-à-Mousson. Quietly and prayerfully on February 28, 1453, she passed away to join her babes in Paradise, and “Black Angers” was plunged in deepest mourning. The death of a great Queen deeply affects men and women everywhere. Isabelle’s name, like that of “good Queen Yolande,” had become a household word in Europe far and wide. Everywhere tokens of bereavement were displayed, and King René, the royal widower, hastening home too late to close his fond wife’s eyes in death, wrote in his tablets: “Since the life of my dear, dear wife has been cut off by death, my heart has lost its love, for she was the mainspring of my consolations.” In every one of his “_Livres des Heures_,” and in other books and places, the artist in the Sovereign painted and drew the features and the figure of his Queen.