Though fully aware of the efficacy and finality of that bite, the fox
set his teeth, again and again, with curious deliberation of movement,
into the limp and unresisting form. Then, with his tongue hanging a
little from his bloody jaws, he lifted his head and stared, with a
curious, wavering, anxiously doubtful look, over the white familiar
fields. The world, somehow, looked strange and blurry to him. He
turned, leaving the dead mink on the ice, and painfully retraced his
deeply crimsoned trail. Just ahead was the opening in the log, the way
to that privacy which he desperately craved. The code of all the
aristocrats of the wild kindred, subtly binding even in that supreme
hour, forbade that he should consent to yield himself to death in the
garish publicity of the open. With the last of his strength he crawled
into the log, till just the bushy tip of his tail protruded to betray
him. There he lay down with one paw over his nose, and sank into the
long sleep. For an hour the frost bit hard upon the fields, stiffening
to stone the bodies but now so hot with eager life. Then the snow came
thick and silent, filling the emptiness with a moving blur, and buried
away all witness of the fight.
* * * * * *
Charles G. D. Roberts'
THE BACKWOODSMEN
_Illustrated Cloth 12mo $1.50_
"'The Backwoodsmen' shows that the writer knows the backwoods as
the sailor knows the sea. Indeed, his various studies of wild life
in general, whether cast in the world of short sketch or story or
full-length narrative, have always secured an interested
public.... Mr. Roberts possesses a keen artistic sense which is
especially marked when he is rounding some story to its end. There
is never a word too much, and he invariably stops when the stop
should be made.... Few writers exhibit such entire sympathy with
the nature of beasts and birds as he."--_Boston Herald._
Public-domain text, read in full here on John Shaqi.
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