Kings, Queens and Pawns: An American Woman at the FrontRinehart, Mary Roberts
History
Kings, Queens and Pawns: An American Woman at the Front
Rinehart, Mary Roberts
World War, 1914-1918 -- Personal narratives
I have seen trains drawing in with their burden of wounded men. They
travel slowly, come to a gradual stop, without jolting or jarring; but
instead of the rush of passengers to alight, which usually follows the
arrival of a train, there is silence, infinite quiet. Then, somewhere,
a door is unhurriedly opened. Maybe a priest alights and looks about
him. Perhaps it is a nurse who steps down and takes a comprehensive
survey of conditions. There is no talking, no uproar. A few men may
come up to assist in lifting out the stretchers, an ambulance driver
who salutes and indicates with a gesture where his car is stationed.
There are no onlookers. This is business, the grim business of war.
The line of stretchers on the station platform grows. The men lie on
them, impassive. They have waited so long. They have lain on the
battlefield, in the trench, behind the line at the dressing shed,
waiting, always waiting. What is a little time more or less, now?
The patience of the injured! I have been in many hospitals. I have
seen pneumonia and typhoid patients lying in the fearful apathy of
disease. They are very sad to see, very tragic, but their patience is
the lethargy of half consciousness. Their fixed eyes see visions. The
patience of the wounded is the resignation of alert faculties.
Once I saw a boy dying. He was a dark-haired, brown-eyed lad of
eighteen. He had had a leg shattered the day before, and he had lain
for hours unattended on the battlefield. The leg had been amputated,
and he was dying of loss of blood.
He lay alone, in a small room of what had once been a girls' school.
He had asked to be propped up with pillows, so that he could breathe.
His face was grey, and only his eyes were alive. They burned like
coals. He was alone. The hospital was crowded, and there were others
who could be saved. So he lay there, propped high, alone, and as
conscious as I am now, and waited. The nurse came back at last, and
his eyes greeted her.
There seemed to be nothing that I could do. Before his conscious eyes
I was an intruder, gazing at him in his extremity. I went away. And
now and then, when I hear this talk of national honour, and am carried
away with a hot flame of resentment so that I, too, would cry for war,
I seem to see that dying boy's eyes, looking through the mists that
are vengeance and hatred and affronted pride, to war as it is--the end
of hope, the gate of despair and agony and death.
After my return I received these letters. The woman who wrote them
will, I know, forgive me for publishing extracts from them. She is a
Belgian, married to an American. More clearly than any words of mine,
they show where falls the burden of war:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account