On a day in March I went back to England. March in England is spring. Masses of snowdrops lined the paths in Hyde Park. The grass was green, the roads hard and dry under the eager feet of Kitchener's great army. They marched gayly by. The drums beat. The passers-by stopped. Here and there an open carriage or an automobile drew up, and pale men, some of them still in bandages, sat and watched. In their eyes was the same flaming eagerness, the same impatience to get back, to be loosed against the old lion's foes. All through England, all through France, all through the tragic corner of Belgium that remains to her, were similar armies drilling and waiting, equally young, equally eager, equally resolute. And the thing that they were going to I knew. I had seen it in that mysterious region that had swallowed up those who had gone before; in the trenches, in the operating rooms of field hospitals, at outposts where the sentries walked hand in hand with death. War is not two great armies meeting in the clash and frenzy of battle. War is a boy carried on a stretcher, looking up at God's blue sky with bewildered eyes that are soon to close; war is a woman carrying a child that has been injured by a shell; war is spirited horses tied in burning buildings and waiting for death; war is the flower of a race, battered, hungry, bleeding, up to its knees in filthy water; war is an old woman burning a candle before the Mater Dolorosa for the son she has given. For King and Country! THE END End of Project Gutenberg's Kings, Queens And Pawns, by Mary Roberts Rinehart