Kirsteen: The Story of a Scotch Family Seventy Years AgoOliphant, Mrs. (Margaret)
General
Kirsteen: The Story of a Scotch Family Seventy Years Ago
Oliphant, Mrs. (Margaret)
Domestic fiction; Scotland -- Fiction
Would they send and tell Glendochart, poor old gentleman--would they
warn him not to come to a distressed house? Or would he be allowed to
come and her father say to him: “She is not worthy of a thought. She is
no bairn of mine from this day”? “And my mother will go to her bed,”
said Kirsteen to herself with a tear or two, yet with the faint gleam
of a smile. She could see them all in their different ways--her father
raging, her mother weeping, and Mary telling everybody that she was not
surprised. And Marg’ret--Marg’ret would put on a steady countenance so
that nobody could tell what she knew and what she didn’t know. It almost
amused Kirsteen though it made her breath come quick, and brought the
tears to her eyes, to sit thus in the deep solitude with the silence of
the hills all thrilling round, and look down as it were upon that other
scene, a strangely interested spectator, seeing everything, and her own
absence which was the strangest of all.
But perhaps she sat too long and thought too much, or the damp of the
sod had cramped her young limbs, or the tremendous walk of the morning
told more after an interval of rest, for when she roused herself at last
and got up again, Kirsteen felt a universal ache through her frame, and
stumbled as she came down from her perch to the road below. How was she
to get through Glencroe to Arrochar--another long and weary course? The
solitude of the glen came upon her again with a thrill of horror. If she
could not walk any better than this it would be dark, dark night again
before she came to the end of her journey--would she ever come to the
end of her journey? Would she drop down upon the hill and lie there till
some one found her? A wave of discouragement and misery came over her.
There was a house within sight, one of those hovels in which still the
Highland shepherd or crofter is content to live. Kirsteen knew such
interiors well--the clay floor, the black, smoke-darkened walls, the
throng of children round the fire: there was no room to take in a
stranger, no way of getting help for her to push on with her journey.
All the pictures of imagination fled from her, scant and troubled though
they had been. Everything in the world seemed wept out except the
sensation of this wild solitude, the aching of her tired limbs, the
impossibility of getting on, her own dreadful loneliness and
helplessness in this wild, silent, unresponsive world.
Public-domain text, read in full here on John Shaqi.
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