Kirsteen: The Story of a Scotch Family Seventy Years AgoOliphant, Mrs. (Margaret)
General
Kirsteen: The Story of a Scotch Family Seventy Years Ago
Oliphant, Mrs. (Margaret)
Domestic fiction; Scotland -- Fiction
Posting all through the summer night which so soon expanded into a
glorious summer morning, revealing her to herself as a veiled and pallid
shadow fit rather for the darkness than the light, Kirsteen reached
Glasgow in time to take the coach again for London. Then followed two
days more of monotonous, continual motion, with villages and fields
whirling past in one long continuous line. She arrived the second night
dazed with fatigue and exhaustion in the great gleaming city throwing
all its lights abroad to the evening sky, which was now her only home.
It had been but a temporary dwelling-place before, to be replaced by a
true home, perhaps in her own Highlands, perhaps,--what did it
matter?--in the incomprehensible Indian world, when he came back. Now he
would never come back; and Kirsteen recognized that this was her
established place, and that her life had taken the form and colour which
it must now bear to the end. She had accepted it for his sake that she
might be faithful to him, and now it was to be for ever, with no break
or change. There had sometimes crossed her mind a dread that he would
not like it--that the mantua-maker in Mayfair would wound the pride of
all the proud Drummonds if not of himself. Now that fear was buried like
the rest. There was no one to object any more than to praise. She was
independent of all the world, and bound to that work for ever.
It was not till Kirsteen had reached the house, which she recognized as
now her permanent resting-place, that she undid out of its case the
precious thing she had gone to seek. She bought a little silver casket,
a gem of workmanship and grace, though she knew nothing of this but only
that it seemed to suit the sacred deposit, and unfolded the little
“napkin” to take from it once, like a sacrament, the touch of his dying
lips. There was the mark, with her thread of gold shining undimmed, and
there, touching the little letters, the stain--and even the traces of
his dead fingers where he had grasped it. She folded it up again in his
mother’s cover and put with it the little blue Testament with the
intertwined initials. The silver casket stood in Kirsteen’s room during
her whole life within reach of her hand. But I do not think she opened
it often. Why should she? She could not see them more clearly than she
did with the eyes of her mind had they been in her hands night and day.
And she did not profane her sacred things by touch; they were
there--that was enough.
Public-domain text, read in full here on John Shaqi.
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