Kirsteen: The Story of a Scotch Family Seventy Years AgoOliphant, Mrs. (Margaret)
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Kirsteen: The Story of a Scotch Family Seventy Years Ago
Oliphant, Mrs. (Margaret)
Domestic fiction; Scotland -- Fiction
“Do you think because you could not put up with your home that nobody
can put up with it?” said Mary. “Ye are just far mistaken, Kirsteen.
Jeanie is a contented creature, of a quiet mind, and she’ll do very well
and keep very happy doing her duty to her father. None of us want to be
hard upon you, but perhaps if my mother had not had all the charge left
upon her, poor body, she might have had a longer and a more peaceful
life; when the daughters of the house just take their own way--”
“You did not stay long after me,” said Kirsteen, out of patience.
“I was very different,” said Mary, holding up her head. “I had my duty
to my husband to think of; a married woman cannot please herself.
You,--it was just your own fancy, but I had to think of Glendochart, for
the Scripture says ye are to leave your parents and your father’s
house.”
Kirsteen was silent and said no more.
CHAPTER XVI.
The funeral, according to the dreary custom of the time, did not take
place for nearly a week, and in the meantime there was a great subdued
bustle in the house of mourning. It was rather the house of what they
all called _mournings_, or _murninse_, in the plural, than of grief. The
mistress lay still and white in her coffin, locked up and shut away,
more drearily separated from all living thoughts and ways than had she
been in the grave; but the black gowns and bonnets that were intended to
“show respect” to her were being manufactured everywhere, in almost
every room but hers. Miss Macnab was throned in the parlour as at the
time when she came to make the ball dresses, and not less absorbed in
the perfection of her art and the fit of every garment, while Kirsteen
looked on with something of the suppressed amusement with which a great
scholar contemplates the village pedagogue who taught him his first
Latin, or an artist the house-painter who first showed him the uses of
the brush. How far already had all their thoughts drifted from the dead
mother who was the cause of this subdued commotion, and of so much more
stir and life than for a long time had been in the house! But yet there
were many things that were intimately connected with that poor lady. All
her little secrets were disclosed. Mary began almost immediately to
clear out the drawers and wardrobes in which her mother’s old dresses
and old stores of every kind had accumulated. She turned out the old
pockets of which Mrs. Douglas had many, some made in silk to wear
outside her gown, some of strong linen to wear below, and which were
emptied out with all their countless stores, pathetically insignificant,
not without many a critical remark. “There was never anybody like my
mother for rubbish in her pockets. It’s just like a clatter of old iron
to hear the keys jingling. And what did she ever do with keys?--with
everything in Marg’ret’s hand. I cannot tell what to do with these old
gowns, unless we give them to the old bodies in the clachan, for they’re
Public-domain text, read in full here on John Shaqi.
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