Knickerbocker's history of New York, vol. 1 (of 2)Irving, Washington
History
Knickerbocker's history of New York, vol. 1 (of 2)
Irving, Washington
New York (State) -- History -- Colonial period, ca. 1600-1775
In the midst of this slumber of the soul, my attention was attracted
to a black speck, peering above the western horizon, just in the rear
of Bergen steeple: gradually it augments and overhangs the would-be
cities of Jersey, Harsimus, and Hoboken, which, like three jockeys,
are starting on the course of existence, and jostling each other at
the commencement of the race. Now it skirts the long shore of ancient
Pavonia, spreading its wide shadows from the high settlements of
Weehawk quite to the lazaretto and quarantine erected by the sagacity
of our police, for the embarrassment of commerce; now it climbs the
serene vault of heaven, cloud rolling over cloud, shrouding the orb of
day, darkening the vast expanse, and bearing thunder and hail and
tempest in its bosom. The earth seems agitated at the confusion of the
heavens; the late waveless mirror is lashed into furious waves that
roll in hollow murmurs to the shore; the oyster-boats that erst
sported in the placid vicinity of Gibbet Island, now hurry affrighted
to the land; the poplar writhes and twists and whistles in the blast;
torrents of drenching rain and sounding hail deluge the Battery walks;
the gates are thronged by apprentices, servant-maids, and little
Frenchmen, with pocket-handkerchiefs over their hats, scampering from
the storm; the late beauteous prospect presents one scene of anarchy
and wild uproar, as though old Chaos had resumed his reign, and was
hurling back into one vast turmoil the conflicting elements of nature.
[Illustration: “SCAMPERING FROM THE STORM.”]
Whether I fled from the fury of the storm, or remained boldly at my
post, as our gallant train-band captains who march their soldiers
through the rain without flinching, are points which I leave to the
conjecture of the reader. It is possible he may be a little perplexed
also to know the reason why I introduced this tremendous tempest to
disturb the serenity of my work. On this latter point I will
gratuitously instruct his ignorance. The panorama view of the Battery
was given merely to gratify the reader with a correct description of
that celebrated place and the parts adjacent; secondly, the storm was
played off, partly to give a little bustle and life to this tranquil
part of my work, and to keep my drowsy readers from falling asleep, and
partly to serve as an overture to the tempestuous times which are about
to assail the pacific province of Nieuw Nederlandts, and which overhang
the slumbrous administration of the renowned Wouter Van Twiller. It is
thus the experienced playwright puts all the fiddles, the French-horns,
the kettle-drums, and trumpets of his orchestra in requisition, to usher
in one of those horrible and brimstone uproars called Melodrames,—and it
is thus he discharges his thunder, his lightning, his rosin, and
saltpetre, preparatory to the rising of a ghost or the murdering of a
hero. We will now proceed with our history.
Public-domain text, read in full here on John Shaqi.
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