“To famous Windsor Castle,
With all his gallant train,
Earl _Pearcy_ went that afternoon
His honor to obtain.
And there he was installed
One of St. George’s band,
To blaze
The praise
Of great Northumberland.
“Long may he live in honor,
In plenty and in peace;
For him, and all his noble friends,
To pray I’ll never cease.
This ditty (which I now will end)
Was only ta’en in hand
To blaze
The praise
Of great Northumberland.”
This illustrative ballad bears the initials “M. P.” These, probably,
do not imply either a member of Parliament, or of the house of
Percy. Beneath the initials we have the legend, “Printed at London,
for Francis Coules, and are” (verses _subaudiuntur_) “to be sold at
his shop in the Old Bayley.” There are three woodcuts to illustrate
the text. The first represents the Earl on horseback; both peer
and charger are very heavily caparisoned, and the steed looks as
intelligent as the peer. In front of this stately, solid, and leisurely
pacing couple, is a mounted serving-man, armed with a stick, and riding
full gallop at nobody. The illustration to the second part represents
the Earl returning from Windsor in a carriage, which looks very much
like the Araba in the Turkish Exhibition. The new Knight wears his hat,
cloak, collar and star; his figure, broad-set to the doorway, bears
no distant resemblance to the knave of clubs, and his aristocratic
self-possession and serenity are remarkable, considering the bumping
he is getting, as implied by the wheels of his chariot being several
inches off the ground. The pace of the steeds, two and twohalves of
whom are visible, is not, however, very great. They are hardly out
of a walk. But perhaps the bareheaded coachman and the as bareheaded
groom have just pulled them up, to allow the running footmen to reach
the carriage. Two of these are seen near the rear of the vehicle,
running like the brace of mythological personages in Ovid, who ran the
celebrated match in which the apples figured so largely. The tardy
footmen have just come in sight of their lord, who does not allow his
serenity to be disturbed by chiding them. The Percy wears as stupid
an air as his servants, and the only sign of intelligence anywhere in
the group is to be found in the off-side wheeler, whose head is turned
back, with a sneering cast in the face, as if he were ridiculing the
idea of the whole show, and was possessed with the conviction that he
was drawing as foolish a beast as himself.
Public-domain text, read in full here on John Shaqi.
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