Knights of Art: Stories of the Italian PaintersSteedman, Amy
General
Knights of Art: Stories of the Italian Painters
Steedman, Amy
Art -- Juvenile literature; Painters -- Italy
Almost all the stories of the lives of the painters which we have been
listening to, until now, have clustered round Florence, the City of
Flowers. She was their great mother, and her sons loved her with a
deep, passionate love, thinking nothing too fair with which to deck her
beauty. Wherever they wandered she drew them back, for their very
heartstrings were wound around her, and each and all strove to give her
of their best.
But now we come to the stories of men whose lives gather round a
different centre. Instead of the great mother-city beside the Arno,
with her strong towers and warlike citizens, the noise of battle ever
sounding in her streets, and her flowery fields encircling her on every
side, we have now Venice, Queen of the Sea.
No warlike tread or tramp of angry crowds disturbs her fair streets,
for here are no pavements, only the cool green water which laps the
walls of her marble palaces, and gives back the sound of the dipping
oar and the soft echo of passing voices, as the gondolas glide along
her watery ways. Here are no grim grey towers of defence, but fairy
palaces of white and coloured marbles, which rise from the waters below
as if they had been built by the sea nymphs, who had fashioned them of
their own sea-shells and mother-of-pearl.
There are no flowery meadows here, but instead the vast waters of the
lagoons, which reach out until they meet the blue arc of the sky or
touch the distant mountains which lie like a purple line upon the
horizon. Here and there tiny islands lie upon its bosom, so faint and
fairylike that they scarcely seem like solid land, reflected as they
are in the transparent water.
But although Venice has no meadows decked with flowers and no wealth of
blossoming trees, everywhere on every side she shines with colour, this
wonderful sea-girt city. Her white marble palaces glow with a soft
amber light, the cool green water that reflects her beauty glitters in
rings of gold and blue, changing from colour to colour as each ripple
changes its form. At sunset, when the sun disappears over the edge of
the lagoon and leaves behind its trail of shining clouds, she is like a
dream-city rising from a sea of molten gold--a double city, for in the
pure gold is reflected each tower and spire, each palace and campanile,
in masses of pale yellow and quivering white light, with here and there
a burning touch of flame colour. She seems to have no connection with
the solid, ordinary cities of the world. There she lies in all her
beauty, silent and apart, like a white sea-bird floating upon the bosom
of the ocean.
Public-domain text, read in full here on John Shaqi.
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