Knights of Art: Stories of the Italian PaintersSteedman, Amy
General
Knights of Art: Stories of the Italian Painters
Steedman, Amy
Art -- Juvenile literature; Painters -- Italy
Fame and wealth awaited Titian wherever he went, and before long he was
invited to Rome that he might paint the portrait of the Pope. There it
was that he met Michelangelo, and that great master looked with much
interest at the work of the Venetian artist and praised it highly, for
the colouring was such as he had never seen equalled before.
'It is most beautiful,' he said afterwards to a friend; 'but it is a
pity that in Venice they do not teach men how to draw as well as how to
colour. If this Titian drew as well as he painted, it would be
impossible to surpass him.'
But ordinary eyes can find little fault with Titian's drawing, and his
portraits are thought to be the most wonderful that ever were painted.
The golden glow of Venice is cast like a magic spell over his pictures,
and in him the great Venetian school of colouring reaches its height.
Besides painting portraits, Titian painted many other pictures which
are among the world's masterpieces.
He must have had a special love for children, this famous old Venetian
painter. We can tell by his pictures how well he understood them and
how he loved to paint them. He would learn much by watching his own
little daughter Lavinia as she played about the old house in Venice.
His wife had died, and his eldest son was only a grief and
disappointment to his father, but the little daughter was the light of
his eyes.
We seem to catch a glimpse of her face in his famous picture of the
little Virgin going up the steps to the temple. The little maid is all
alone, for she has left her companions behind, and the crowd stands
watching her from below, while the high priest waits for her above. One
hand is stretched out, and with the other she lifts her dress as she
climbs up the marble steps. She looks a very real child with her long
plait of golden hair and serious little face, and we cannot help
thinking that the painter's own little daughter must have been in his
mind when he painted the little Virgin.
Titian lived to be a very old man, almost a hundred years old, and up
to the last he was always seen with the brush in his hand, painting
some new picture. So, when he passed away, he left behind a rich store
of beauty, which not only decked the walls of his beloved Venice, but
made the whole world richer and more beautiful.
TINTORETTO
It was between four and five hundred years ago that Venice sat most
proudly on her throne as Queen of the Sea. She had the greatest fleet
in all the Mediterranean. She bought and sold more than any other
nation. She had withstood the shock of battle and conquered all her
foes, and now she had time to deck herself with all the beauty which
art and wealth could produce.
Public-domain text, read in full here on John Shaqi.
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