Knowledge is power : $b A view of the productive forces of modern society and the results of labor, capital and skill.Knight, Charles
Philosophy
Knowledge is power : $b A view of the productive forces of modern society and the results of labor, capital and skill.
Knight, Charles
Industrial arts; Industries
The employment of machinery to do all the heavy part of the work, the
division of labour, by which each workman acquires wonderful dexterity
in his department, and the conducting of the whole upon a large scale,
give bread to a vast number of people, make the pottery cheap, and
enable it to be sold at a profit in almost every market in the world. It
is not ninety years since the first pottery of a good quality was
extensively made in England; and before that time what was used was
imported,--the common ware from Delft, in Holland (from which it
acquired its name), and the porcelain from China.
[Illustration: Mill-room, where the Ingredients for Pottery are mixed.]
The history of the manufacture of porcelain affords us two examples
of persevering ingenuity--of intense devotion to one object--which have
few parallels in what some may consider the higher walks of art. Palissy
and Wedgwood are names that ought to be venerated by every artisan. The
one bestowed upon France her manufacture of porcelain, so long the
almost exclusive admiration of the wealthy and the tasteful. The other
gave to England her more extensive production of earthenware, combining
with great cheapness the imitation of the most beautiful forms of
ancient art. The potteries of Staffordshire may be almost said to have
been created by Josiah Wedgwood. In his workshops we may trace the
commencement of a system of improved design which made his ware so
superior to any other that had been produced in Europe for common uses.
In other branches of manufacture this system found few imitators; and we
were too long contented, in our textile fabrics especially, with
patterns that were unequalled for ugliness--miserable imitations of
foreign goods, or combinations of form and colour outraging every
principle of art. We have seen higher things attempted in the present
day; but for the greater part of a century the wares of the
Staffordshire potter were the only attempts to show that taste was as
valuable a quality in association with the various articles which are
required for domestic use, as good materials and clean workmanship. It
was long before we discovered that taste had an appreciable commercial
value.
[Illustration: Wedgwood.]
Public-domain text, read in full here on John Shaqi.
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