Crime -- England -- London; Police -- England -- London; Poor -- England -- London
He handed a paper to the magistrate, and said: "Read that, your
Worship." His Worship read it. It was an order from the relieving
officer to the manager of the "stone-yard" for Jonathan Pinchbeck to be
given two days' work. "Jonathan Pinchbeck! is that your name?" said the
magistrate, looking at the quaint old man. "Yes, that's me." "Well,
what do you want? Why don't you go and do the work?" "Well, your
Worship, it is like this: I have been to the stone-yard, and they have
got no work to give me." "Well," said the magistrate, "I am sure that I
have no stones for you to break." "But I don't want you to give me work!
I ask you for a summons against the Vestry for four shillings," he said.
"Surely they are bound to find me work or give me the money. I am out of
work, and my wife is ill."
The magistrate told him that the matter could not be decided in a
police-court, and that he had better go to the County Court. Very
dejectedly the old man stepped down, and silently left the court. I
followed him, and had some conversation with him. He was a
dock-labourer, but had grown old, and could no longer "jostle," push,
and fight for a job at the dock gates, for younger men with broader
shoulders stepped up before him. He gave me his address, so in the
afternoon of the same day I went to Mandeville Street, Clapton Park. The
landlady told me that Pinchbeck was not at home, but that he occupied
with his wife one room "first-floor front," and that his wife was an
invalid.
I was about to leave when a husky voice from the first-floor front, the
door of which was evidently open, called out: "Is it a gentleman to see
Jonathan? Tell him to come up." I went up. I shall not forget going up,
for I found myself in the queerest place I had visited. I was in
Wonderland. The owner of the voice that called me up, Mrs. Pinchbeck,
sat before me--huge, massive, and palpitating. She was twenty stone in
weight, but ill and suffering. Asthma, dropsy, and heart disease had
nearly done their work. It was a stifling day in July, and she drew
breath with difficulty.
She sat on a very strongly-made wooden chair, and did not attempt to
rise when I entered the room. The chair in which she was sitting was
painted vermilion red, and studded with bright brass nails. Every chair
in the room--of which there were four--the strong kitchen table, the
strong wooden fender, and the powerful bedstead, were all vermilion red,
embellished with brass nails. One directing mind had constructed the
lot. When my surprise was lessened, I sat down on a red chair beside the
poor woman, and entered into conversation. Her replies to my questions
came with difficulty, but, despite her illness, I noticed that she was
proud of her quaint husband, and especially proud of the furniture he
had made for her, for the household goods were his workmanship.
"He had only a saw, a hammer, and some sandpaper," she said, nodding at
the furniture, "and he made the lot."
Public-domain text, read in full here on John Shaqi.
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