Crime -- England -- London; Police -- England -- London; Poor -- England -- London
The document consisted of a double sheet of foolscap, which was covered
on the four pages with writing and figures in a woman's hand. Briefly it
told of the great deeds of Jonathan, who, as I have previously said, was
a dock-labourer. He had lived in Clapton Park for more than thirty
years, and he had walked every day to and from the East London Docks, a
five-mile tramp every morning, and a return journey at night of equal
length. Hundreds of times his journey had been fruitless, so far as
getting a day's work was concerned; but, like an industrious bee,
Jonathan returned home every night laden with what to him was sweeter
than honey--cigar-ends that he had gathered from the pavements, gutters,
and streets he traversed and searched during his daily ten-mile tramp.
They lay before me, converted into a massive monumental cross, erected
upon three great slabs of similar material. On each side of it stood a
smaller cross, as if it were to show off the dimensions of the great
cross. The paper stated that the whole of the cigar-ends collected
weighed one hundredweight and three-quarters. It also told how far the
cigars would have reached had they been placed end to end; one cigar was
reckoned at three inches, four to a foot, twelve to a yard, and seven
thousand and forty to a mile. The paper also told how much they cost at
twopence each, how long they took to smoke at one half-hour each, also
how much duty the Government had received on each at four shillings per
pound. Thirty years of interminable tramping, with his eyes on the
ground like a sleuth-hound, had Jonathan done. Hour after hour he had
sat in his little home contemplating his collection, and making his
mental calculations while his wife wrote them down, and then in its
glory arose his great monument.
Handing the paper to Mrs. Pinchbeck, I proceeded to examine the cross. I
felt it, and found it hard, solid, firm, and every edge square and
sharp. I wondered how he had converted such unlikely materials as
cigar-ends into such a solid piece of work. The poor woman told me that
from all the cigar-ends he brought home he trimmed off the burnt ends,
and carefully placed them in a dry place; then he made a great wooden
frame, screwed together, the inside of which represented the cross. In
this frame he arranged end-ways layer after layer of his cigar-ends,
pressing them and even hammering them in; now and again he had poured in
also a solution of treacle and water, placing more cigar-ends until it
was pressed and hammered full. Then it was left for months to slowly
dry. It was a proud day for the couple when the wooden frame was
removed, and the great triumph of Jonathan's life stood before them.
Public-domain text, read in full here on John Shaqi.
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