Crime -- England -- London; Police -- England -- London; Poor -- England -- London
After his death the three brothers and a sister lived together. Each was
left an income of about twenty-five pounds per annum, and the sister
managed their affairs. As long as she lived and the artist brother could
sell pictures, all went fairly well; but when she died the brothers were
left to struggle for themselves. Gradually their home went down--dirt
and discomfort ensued, fewer pictures were sold, and then one Christmas
the artist fell into my care. What a room it was, and how hopeless it
all seemed! I found the artist himself had exhibited in the Royal
Academy, and that he was undoubtedly a talented man. I found him as
simple as a child, and his two brothers as innocent as babes.
I sold some of his pictures, and obtained orders for others; but I
discovered that, instead of the younger brother looking after the
artist, the artist had to look after the younger brother, and I also
found, to my cost, that, instead of having one unfortunate man to look
after, I had three of them on my hands. The elder brother sat reading
goody books hour after hour; the younger one went to his
prayer-meetings, but never brought a shilling home; while the artist
stuck to his work, when he had any to do, splendidly.
One day I took counsel with the three of them, and we formed a committee
of ways and means. To the elder one I said: "What are you going to do to
bring a little grist to this mill?" In a sweetly simple manner, and
rubbing his hands, he said: "Oh, I read while Charles paints." To the
younger one I said: "What are you going to do to help the finances?"
"Oh," he said, "I'll write some texts of Scripture on cardboard, and you
can sell them for me." It was a quaint sight to see this band of
brothers go marketing, to buy their bits of meat, vegetables, etc. I
have watched them, too, at their culinary preparations, and noticed that
the artist himself washed the plates and dishes, and handled and cooked
the food.
Their rooms are now larger, and in much better order. The paintings left
by their father are more visible, for the dust and dirt have been
removed. They are still living together, and the artist, without any
blue ribbon on his coat, is still working away, when he can secure
orders. They are quaint specimens of humanity, but I think much of them,
for they are kind-hearted and gentle to each other; there are no
heart-burnings and bickerings; poverty has not soured their
dispositions, and if times are sometimes hard, they make the best of
things, and hope that God will give them better days.
None the less, my artist friend has to bear the brunt of it, and when
he sells a picture he is more than willing to share his means with his
helpless brothers.
Public-domain text, read in full here on John Shaqi.
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