In the short northern day of four hours the party made a long and tedious journey, impeded by the bitter weather, through the pine forests of Finland. The country was buried in snow, and so rough was the travelling that the three Poles had to pass a night in the common hall of the inn, with pigs as their sleeping companions. Kościuszko's fame had spread all over Europe. Sweden held herself proud that he was her guest, greeting him as "one of the greatest men of our century." At Stockholm the notables of the city crowded to pay their respects--on foot, in order not to disturb the invalid with the sound of carriages and horses. He was not, however, very accessible. By temperament he shrank from either publicity or fame; and in his state of physical and mental suffering he had no heart for the honours showered upon him. He systematically discouraged the forerunners of the modern interviewers who were eager for "copy," and as far as he could he kept to himself, his relaxations being his own drawing, and the music of which he was always passionately fond, and with which his Swedish admirers were careful to provide him. A Swedish writer, who was staying in the same hotel, desired to visit him, but dared not do so, partly for fear of intruding upon him, and partly because he owned that he could not keep from tears at the sight of the Polish patriot, so deeply had Kościuszko's history affected the public of those days. Finally, he made the plunge, and asked Kościuszko's permission for a young Swedish painter to take his portrait. Kościuszko courteously refused; but an engraver surreptitiously took notes of his features, and reproduced them in a likeness that travelled all over Sweden, depicting him, as our own Cosway did afterwards, reclining, "his face," says the Swedish description, "expressing the sufferings of his soul over his country's fate."[1] [Footnote 1: T. Korzon, _Kościuszko_.]