The American missionary in the Far East is a curious creature.
He represents a union of devices which have made him a factor of
considerable commercial importance. American missionaries in Korea were
formerly closely associated with the more important export houses in the
leading industrial centres of America. Owing to diplomatic representation
this practical demonstration of Western superiority is no longer openly
indulged. In Seoul, however, an American missionary inconsiderately
receives paying guests, causing a manifest loss of business to the
Station Hotel; in Won-san, another exploits his orchard. As a class they
are necessarily newspaper correspondents and professional photographers;
upon rare occasions—and here I refer especially to a small coterie of
American missionaries in Seoul—they are the scholarly students of the
history, manners, customs and language of the country in which they
happen to be placed.
The American missionary has a salary which frequently exceeds £200
a year, and is invariably pleasantly supplemented by additional
allowances. Houses and servants are provided free, or grants are made for
house rent; there is a provision for the education of the children, and
an annual capitation payment is made for each child. As a class, American
missionaries have large families, who live in comparative idleness and
luxury. In Korea, they own the most attractive and commodious houses
in the foreign settlements, and appear to me to extract from their
surroundings the maximum of profit for the minimum of labour. I do not
know whether it is with the permission of the executive officers of the
American Mission Boards that their representatives combine commerce with
their mission to the heathen. When a missionary devotes no little portion
of his time to literary labours, to the care of an insurance agency,
to the needs of a fruit farm, or to the manifold exigencies of casual
commerce, it seems to me that the interests of those who sit in darkness
must suffer.
Public-domain text, read in full here on John Shaqi.
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