Korea and her neighbors: A narrative of travel, with an account of the recent vicissitudes and present position of the countryBird, Isabella L. (Isabella Lucy)
History
Korea and her neighbors: A narrative of travel, with an account of the recent vicissitudes and present position of the country
Bird, Isabella L. (Isabella Lucy)
Korea -- Description and travel
Oil paper about a sixth of an inch in thickness is pasted on the
floors instead of carpets or mats. It bears washing, and takes a
high polish from dry rubbing. In the Royal Palaces, where two tints
are used carefully, it resembles oak parquet. It is also used for
walls. A thinner quality is made into the folding, conical hat-covers
which every Korean carries in his sleeve, and into waterproof cloaks,
coats, and baggage covers. A very thick kind of paper made of several
thicknesses beaten together is used for trunks, which are strong enough
to hold heavy articles. Lanterns, tobacco-pouches, and fans are made
of paper, and the Korean wooden latticed windows from the palace to
the hovel are “glazed” with a thin, white, tough variety, which is
translucent. Much prized, however, were my photographic glass plates
when cleaned. Many a joyful householder let one into his window, giving
himself an opportunity of amusement and _espionage_ denied to his
neighbors.
The day’s journey from Ka-chang to Tok Chhön is through very
attractive scenery with grand mountain views. After crossing a low
but severe pass, we came down upon a large affluent of the Tai-döng,
which for want of a name I designate as the Ko-mop-so, flowing as
a full-watered, green stream between lofty cliffs of much caverned
limestone, fantastically buttressed, and between hills which throw out
rocky spurs, terminating or thinning down into high limestone walls,
resembling those of ruinous fortifications.
Again losing the way and our time, a struggle over a rough pass brought
us in view of the Tai-döng, with the characteristics of its mountain
course, long rapids with glints of foam and rocks, long reaches of
deep, still, slow-gliding jagged translucent green water broad and
deep, making constant abrupt turns, and by its volume suggesting great
powers of destructiveness when it is liberated from its mountain
barriers. In about a fortnight it would be frozen for the winter.
Diamond-flashing in the fine breeze, below noble cliffs and cobalt
mountains, across which cloud shadows were sailing in indigo, under
a vault of cloud-flecked blue, that view was one of those dreams of
beauty which become a possession for ever.
Public-domain text, read in full here on John Shaqi.
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