Korea and her neighbors: A narrative of travel, with an account of the recent vicissitudes and present position of the countryBird, Isabella L. (Isabella Lucy)
History
Korea and her neighbors: A narrative of travel, with an account of the recent vicissitudes and present position of the country
Bird, Isabella L. (Isabella Lucy)
Korea -- Description and travel
Similar remarks apply to the prefectural town of Nang-chhön, where we
again wasted some hours, while Kim’s rice was first bargained for and
then cleaned. At that point there is a fine deep stretch of the river
230 yards broad abounding in fish. From Nang-chhön we dropped down the
Han to a deep and pretty bay on which the small village of Paik-kui Mi
is situated, where we halted for Sunday, our last day in the _sampan_,
which had been a not altogether comfortless home for five weeks and a
half.
FOOTNOTES:
[17] Class privileges are now abolished, on paper at least, but their
tradition carries weight.
CHAPTER IX
KOREAN MARRIAGE CUSTOMS
Paik-kui Mi was not without a certain degree of life on that Sunday.
A _yang-ban’s_ steward impressed boats for the gratuitous carriage
of tiles to Seoul, which caused a little feeble excitement among the
junkmen. There was a sick person, and a _mu-tang_ or female exorcist
was engaged during the whole day in the attempt to expel the malevolent
dæmon which was afflicting him, the process being accompanied by the
constant beating of a drum and the loud vibrating sound of large
cymbals. Lastly, there was a marriage, and this deserves more than a
passing notice, marriage, burial, and exorcism, with their ceremonials,
being the outstanding features of Korea.[18]
The Korean is nobody until he is married. He is a being of no account,
a “hobbledehoy.” The wedding-day is the entrance on respectability and
manhood, and marks a leap upwards on the social ladder. The youth,
with long abundant hair divided in the middle and plaited at the back,
wearing a short, girdled coat, and looking as if he had no place in
the world though he may be quite grown up, and who is always taken
by strangers for a girl, is transformed by the formal reciprocal
salutations which constitute the binding ceremony of marriage. He has
received the tonsure, and the long hair surrounding it is drawn into
the now celebrated “topknot.” He is invested with the _mangan_, a
crownless skullcap or fillet of horsehair, without which, thereafter,
he is never seen. He wears a black hat and a long full coat, and
his awkward gait is metamorphosed into a dignified swing. His boy
companions have become his inferiors. His name takes the equivalent of
“Mr.” after it; honorifics must be used in addressing him--in short,
from being a “nobody” he becomes a “somebody.”
Public-domain text, read in full here on John Shaqi.
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