Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
The Kaiser is doubtless an actor, but not quite such a shabby-genteel
third-rater as this, and his bullies are no doubt burglars and ruffians,
but not of the old-fashioned, bludgeon type; rather the smart, modern
operators, armed with automatic revolvers, oxygen blowpipes, swift
motors, and other appliances of up-to-date science. “Super-Hooligans”
both doubtless are, but unfortunately not to be despised as enemies.
This, however, would be less easy to present in caricature, and perhaps
less telling.
The point is the folly of expecting any true “gentleness,” or anything
but a veneer of gentility, from Germany.
HERBERT WARREN.
[Illustration]
_Before the Fall_
When, in August of 1914, the German hosts set out on their way to
victory and yet greater victory, they had in their minds a figure which,
for them, had been girdled round with dignities almost sacred. Whatever
their secret thoughts regarding this figure might have been, it was
ostensibly something very nearly sacred; to the rest of the world it was
an imperial figure, portrayed in many attitudes, but in practically
every attitude there was the suggestion of illimitable pride. The world
that is not Germany had laughed at this figure a little: over certain
telegrams, over the assumption of genius in certain artistic fields, and
over a versatility that was almost Neronic. There was not wanting, among
free peoples, a certain amount of contempt for this figure.
Here you have the figure in a new attitude, and though at the time this
cartoon was published the triumphs in Rumania were still to come, and
the German lines of defense were apparently as strong as ever, yet the
cartoon expressed a truth, as do all these cartoons of Raemaekers. As
insecurely as is pictured here stood this man who aped Napoleon and
Alexander, at whose bidding women and children were fed into the furnace
of war, through whose senseless ambition countless homes were made
places of mourning for the men who would return no more. More than three
years of suffering, and the face of the world changed, the progress of
the world arrested--for this!
Beneath him is the gulf; he has hurled millions into it, and here
postures no more as second only to omnipotence, but waits the inevitable
fall. Thank God that it is inevitable.
E. CHARLES VIVIAN.
[Illustration]
_The Shirkers_
Public-domain text, read in full here on John Shaqi.
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